Category Archives: Greek Gods

Linear A and B

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I am fascinated by words and language. I’m not sure if that is because I’m a big reader or I became a reader and eventually an author because of it.

In any event, when I began researching the Minoans for my latest series, (In the shadow of the Bull and On the Horns of Death),

I quickly ran into the question of these old, probably the oldest, written languages. Unlike the hieroglyphics, which were finally deciphered thanks to the Rosetta Stone, Linear A and B resisted decoding.

Linear A, which was used by the Minoans, still has not been deciphered. And Linear B was not deciphered until the 1950s. An Englishman from Hertfordshire, Michael Ventris, finally succeeded, using a multi-disciplinary approach.

Tablets with this writing have been found in Knossos and Pylos, as well as other places, and was very early on recognized as the earliest form of Greek. Deciphering changed the way we understand the Aegean Bronze Age, especially the complex societal structures and the far flung trade networks. Linear B has been determined to be a very early form of Greek

I suspect when Linear A is deciphered, it will include primarily trade information but we can hope it will open a window into this exotic and still mysterious culture.

Artemis

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As I’ve discussed in earlier posts, Artemis is one of the Gods who, it is believed, was a goddess in Bronze Age Crete and was adopted by the mainland Greeks. She remained virtually unchanged, unlike Hera who diminished from a goddess in her own right to the jealous wife of Zeus in Classical Greece.

Artemis was a virgin goddess and a goddess of the hunt, of vegetation, and of birth. Women in labor prayed to her.

In the myths of Classical Greece, Artemis was the twin sister of Apollo. (Daughter of Leto by Zeus.) And since those myths all seemed to be dark and full of cruelty, Artemis too could be cruel. She turned a young hunter, Acteon, who accidentally saw her bathing, into a stag and his own hunting dogs took him down.

In my Ancient Crete mystery series, Martis, my protagonist, is a follower of Artemis.

Coming April 24, 2024

As a devotee of Artemis, Martis plans to remain a virgin her whole life.

As part of my research, I hope to visit Ephesus where the ruins of a temple to Artemis still stand. Enormous in scale, the temple boasted a double row of columns that became a model for other Greek temples. Besides honoring Artemis, the temple also served as a place of sanctuary. Recent excavations have shown the stalls, where refuge seekers slept.

Historical note: Cleopatra’s sister Arsinoe was double-crossed and murdered on the temple steps before she could reach the safety of the temple.

Curetes (Kouretes)

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One of the challenges of writing historical fiction, especially historical fiction that takes place as long ago as Bronze Age Crete, is the difficulty of sorting through the various myths – and the various iterations of the myths. I’ve already discussed the conflation of Zeus and Dionysus in that they share an origin story. When the tribes of mainland Greece swept over Crete after the Santorini volcanic eruption, they adopted much of the Cretan culture. Then they adapted what they’d taken to suit themselves.

Since we are familiar with the Classical Greek myths, so familiar in some case we have internalized them, we think of them as the ‘correct’ stories. Dionysus’s origin story, which became Zeus’s, is one such.

The outlines of Zeus’s story are this. Since it was predicted that one of Cronus’ children would kill him and take his position, he swallowed all of his children as soon as they were born. To protect Zeus, his mother Rhea wrapped a stone in a swaddling cloth (which Cronus swallowed) and the baby was hidden in a cave in Mt. Ida.

In the Cretan myth, it is Dionysus that is hidden in the cave. Each was described as suckled by either a nanny goat or a sow. To hide the baby’s cries, Kouretes made noise.

Who are the Kouretes? If you google the name, they are described as crested, armored warriors who clash their shields together so Cronus can’t hear the baby crying.

But this is not the whole story. According to an earlier myth, the Curetes were the first inhabitants of the Greek island of Crete. They were mythical creatures, specifically legendary benign deities who lived prior to the Minoans. According to an early Greek myth, the Kouretes were not born. They sprang out of the earth of Crete when the infant Zeus wept and his tears fell on the ground.

In this version, they made a hanging cradle for Zeus so he was not of the Earth, the sky, or the sea. He was therefore well protected from Cronus.

Because these are myths, and all things are possible, the Kouretes are supposed to have invented hunting, the first bow, dance, and even the Olympic Games.

Atlantis – and Minoan Crete

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I would guess just about everyone has heard of Atlantis. Plato was the first to write about this great naval empire that fell out of favor with the deities and was destroyed. (Plato was writing about hubris and criticizing Crete for opposing Plato’s native Athens.) Since Plato’s time, Atlantis has been used as a springboard for all kinds of fantastic suggestions.

Did you know that there may be a connection between Atlantis and Minoan Crete?

During the Bronze Age, Crete was THE Naval power, to the point that Ramses II in Egypt asked for help fighting the pirates attacking his country. Plato gives dimensions for Atlantis which are a factor of 10 for Crete. Plato also describes a highly sophisticated society – probably the first to have hot and cold running water and indoor toilets. He talks about a palace and a shrine to Poseidon. We know Poteidon was worshipped as a God in Crete and also that bulls, sacred to this God, were worshipped with many rituals including bull leaping.

One of the issues with this theory is the location of Atlantis, supposedly placed beyond the pillars of Hercules in the Atlantic Ocean. Some ancient historians have theorized that, before the sixth century BC, the “Pillars of Hercules” may have applied to mountains on either side of the Gulf of Laconia. The mountains stood at either side of the southernmost gulf in Greece, that opens onto the Mediterranean Sea. This would have placed Atlantis in the Mediterranean, lending credence to many details in Plato’s discussion.

For me, the most compelling argument for believing Minoan Crete was the seed of the Atlantis myth is the destruction. In Plato’s telling, earthquakes and floods swept over Atlantis and the island sank into the sea. Crete did not sink. But the volcano at Santorini/Thera erupted in approximately 1450 B.C.E., ripping out the center of the island and leaving an enormous caldera. Crete was nearby and would have been affected by earthquakes, tsunamis and ash. A nearby city, Akrotiri, was completely covered and is being excavated from the hardened ash now. The ash reached Turkey. This volcano, by the way, is still active and has built up an island of hardened lava. An island, by the way, you can travel to and walk on. Vulcanologists expect it to erupt again someday.

The explosion did not destroy Crete. Evidence of rebuilding has been found in and around Knossos. However, it severely weakened the Minoans and evidence of the Mycenaeans show up in the archaeological record right about then. Many believe that the Mycenaeans took the opportunity to conquer a rich and powerful, but severely damaged, neighbor.

Gods and Goddesses of Bronze Age Crete

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From the preponderance of female figures on seals and in frescoes, archaeologists believe Crete worshipped a Supreme Goddess, probably a fertility Goddess from Neolithic times. (Similar to Astarte.)There is some dispute whether the statuary depicting women with snakes in their hands are representations of the Goddess or Priestesses engaged in a ritual.

note the tiered skirt, the short-sleeved jacket and the tight belt around the waist.

Besides the Supreme Goddess, there was a pantheon of Gods and Goddesses. Poseidon, the God of the Oceans and Earthquakes, is one. (He was adopted by the mainland Greeks with almost no change.) Dionysus is another God, a very old one. A vegetation God, he is the God of wine as well as the Master of Animals. Unlike the Gods and Goddess of Classical Greece, Dionysus is not immortal. He is born each spring, grows to manhood throughout the year, and dies in winter.

One particularly interesting feature of Dionysus is his birth, in a cave and nourished by nanny goats. Sound familiar? The Cretan Zeus, a relative latecomer to the pantheon, is ascribed the same birth story. In Classical times, the same tale is told of Zeus’ birth, (although with a myth about the Titans surrounding it.) Zeus, of course, was elevated to the major God for the Classical Greeks.

The Goddesses are more complicated. Were they individuals or aspects of the Supreme Goddesses? Maybe a mix of the two? Aphrodite is connected to the Bronze Age and her name is pre-Greek. Artemis was a virgin, and the hunt was sacred to her, just as the Classical Greeks believed. Hera was another important Goddess. Shrines to her have been found in Crete. She was responsible for childbirth, a task she shared with Artemis. In the Classical Greek pantheon, she was reduced from being an important Goddess in her own right to Zeus’s jealous wife.

Britomartis meaning Sweet Virgin or Sweet Maiden, was worshipped by the fishermen. Her other name is Diktynna for the nets the fishermen used. I took her name and used the second half, Martis as the name of the protagonist in In the Shadow of the Bull and the sequels.

What about the Minotaur? Was the bull-headed man a God?We know that bulls were very very important in Ancient Crete. The statuary and frescos of bull leapers and the many representations of bulls is proof of that. But, was the Minotaur sacred? I choose to believe that the Minotaur was a creation of the Mainland Greeks, representing something they did not understand – rituals involving masked priests.

As excavations and study of this amazing culture continues, I’m sure we discover more about their religion.

Sophisticated Ancient Crete

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The society in Bronze Age Crete was extremely sophisticated. Besides toilets with running water, they had bathtubs. (found during digs).The mosaics and frescos with which they decorated their homes were expertly done and elegant. Examples of their jewelry, sculpture, metal working found in the digs display expertise. Rytons (drinking vessels) in the shape of bulls’ heads, bull dancers as they fly over a bull’s back – both types of works have been found. Gold seals with the bull and/or the Goddess have been found among the burial goods in mainland Greece as well as other places so we know that trade was going on and that these goods were valued. Crete had a robust trade in pottery, which has been found all over the Mediterranean including in Egypt.

It seems also as though when the Achaeans expanded into Crete, after the society was severely wounded by the explosion of the nearby volcano, they copied the jewelry, buildings, and religious beliefs.

Greece has been called the cradle of the theater (and probably poetry as well.) The God connected with the theater and the one who is credited with inventing it is Dionysus. He is a very old God and his name has been discovered in the texts. (Linear B was deciphered in the fifties. Linear A is still a mystery. Linear B was a very early form of Greek. But I digress.) So, if any culture can be praised for the invention of the performing arts, it would be this Bronze Age society on Crete.theater

Ancient Crete and the Minotaur

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While researching Bronze Age Crete and Greece for my mystery series: First book – In the Shadow of the Bull – I spent a lot of time reading the Greek myths.

Most of us have at least a passing knowledge of the Greek myths. These are from the Classical period, a millennia at least from the heyday of Bonze Age Crete. That does not mean, however, that Crete was not hugely influential in these myths.

Take the myth of Theseus and the Minotaur, for example. Here’s the backstory. The Greeks revered Zeus. Poseidon wanted to be honored too so he sent a white bull to Minos, the King of Crete. Minos’s wife Parsiphae fell in love with the bull. She tasked Daedalus (yes, the inventor with the wax wings whose son was Icarus) to build a special wooden box in the shape of a cow. Once inside the box, she had intercourse with the bull. Nine months later she bore a half-man, half-bull. The Minotaur.

The myth reeks of patriarchy and a desire to, in modern parlance, throw shade on Cretan beliefs.

First, in Crete Zeus was not the primary God. He was an upstart, more akin to a harvest God, who died and was reborn.

We also don’t know if Crete had a King. Certainly it was a goddess centered, matrilineal culture. Many archeologists have assumed Crete had kings, but for decades these archeologists were men. Men, moreover, who lived with a strongly patriarchal structure. It is possible the Priestess’s consort acted as a wanax, or governor. Kingships came with the Mycenaeans, i.e. the mainland Greeks who finally occupied Crete.

Several ancient cultures revered the bull or, in Indo-Europe (the steppes) the horse. One of the rites was mock intercourse with this symbol of fertility by the Queen/Priestess. This act was supposed to guarantee good crops, lots of livestock and of course healthy children for the coming year.

But what about the Minotaur?

Well, many many ancient and not so ancient cultures employ masks in religious rites. Animals are a frequently the subject.  Is it so far a stretch to believe that the Minotaur is a masked man involved in a religious rite? I theorize that a rite performed in ancient Crete involved intercourse between the High Priestess’s consort who wore a bull mask.

Besides painting Theseus as a hero (which I dispute but more about that later), this myth spins Crete as decadent and deserving of conquest. By the Myceneans, naturally.

Currently Reading

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Since I’ve begun working on the next in my Bronze Age Crete Mystery series (beginning with In the Shadow of the Bull)

I’ve been doing research. The first book is Arcadian Days, a retelling of several of the Greek myths.

I’ve read in the Edith Hamilton collection of myths – in eighth grade. The retelling by Spurling lays out those myths he chooses in a much clearer way. My goodness, the Greeks were a bloodthirsty lot. I don’t know how they slept at night. The story of Medea is the stuff of nightmares.

Jason, of Jason and the Argonauts, meets Medea when he goes for the Golden Fleece. She agrees to help him if he will marry her and he agrees. Big mistake! As they are fleeing with the fleece, she arrives on board with a bundle, which turns out to be her step-brother. As her father pursues them, she slits the toddler’s throat and dismembers him, throwing limbs in the water so her father will stop and pick them up.

It doesn’t get any more cheerful from here. Medea, it is apparent, is a psychopath.

Other myths are no so violent but all of the families, no matter how favored by the Gods they seem, have terrible lives.Greek Myths

The Bull

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The date for the release of In the Shadow of the Bull is now July 4 for the UK. No word on the release date in the US yet.

In an attempt to reveal what we know of this ancient culture, I thought I would begin with the bull. Bulls were sacred. I’ve read varying explanations. Is it because the Bull represented the male principle, even in a society with a Supreme Goddess? Is it because of the connection with Poseidon. also a God in this culture. (I have mentioned previously how much the Classical Greeks borrowed from the Minoans).

Whatever the reason, the mosaics, the statuary, the rites practiced were all centered around the Bull.

One of the practices was bull dancing or bull leaping. This is a feature of the Theseus myth. Since it was written by the occupying Greeks, it has a negative spin. In the myth, Minos, the ruler of Knossos, requires tribute from the mainland: 7 young women and 7 young men, to face the fearsome Minotaur in the labyrinth. (The creation of the Minotaur is another myth, a rather creepy one.) Theseus volunteers to be one of the tributes. Minos’ daughter Ariadne gives Theseus a ball of string and he is able to kill the Minotaur and lead the other tributes to safety.

Frescoes from Knossos show young men and women (probably teenagers) leaping over a charging bull. The bull dancer grasped the horns and flipped over the bull’s back. Another member of the team caught and steadied him as he landed. There seems to be no doubt that these performances occurred.

Remnants of mazes pictured in mosaics have also been found. But labyrinth, a synonym for a maze, is actually from the word labyrs, a sacred two headed axe used in religious rituals.

A stylized version of the bull’s horns, called the Horns of Consecration, were used everywhere. Examples have survived in Knossos.

Ancient Crete

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Now that In the Shadow of the Bull will be released this summer, I thought I should talk a little bit about the culture of ancient Crete.

Although it is called the Minoan Era, that is a misnomer. Minos was a mythical king mentioned in Greek stories from Classical Greece, many years later.

What we do know is that this sophisticated society flourished in the Bronze Age, only to be destroyed about 1459 B.C.E, The volcano on the island now called Santorini blew, sending ash as far away as Turkey., and causing massive damage to Crete. Some archaeologists discuss signs of rebuilding but the Achaeans, the Greeks from the Mainland, were able to take advantage and occupy the island.

The iconic statuettes from Bronze Age Crete  are of women (priestesses probably although some scholars claim they are the Goddess) with snakes twining up their arms and around their waists. Snakes were sacred in this Bronze Age religion.

Snake Goddess describes a number of figurines of a woman holding a serpent in each hand found during excavation of Minoan archaeological sites in Crete dating from approximately 1600 BCE. By implication, the term 'goddess' also describes the deity depicted; although little more is known about her identity apart from that gained from the figurines. The 'Snake Goddess' figure first discovered was found by the British archaeologist Arthur Evans in 1903. The figurine found by Arthur Evans uses the faience technique, for glazing earthenware and other ceramic vessels by using a quartz paste. After firing this produces bright colors and a lustrous sheen. The figurine is today exibited at the Herakleion Archeological Museum in Crete. The snake's close connection with the Minoan house is believed to indicate that the goddesses shown in these figures are Household Goddesses. http://en.wikipedia.org/wiki/Snake_Goddess
Snake Goddess describes a number of figurines of a woman holding a serpent in each hand found during excavation of Minoan archaeological sites in Crete dating from approximately 1600 BCE. By implication, the term ‘goddess’ also describes the deity depicted; although little more is known about her identity apart from that gained from the figurines. The ‘Snake Goddess’ figure first discovered was found by the British archaeologist Arthur Evans in 1903. The figurine found by Arthur Evans uses the faience technique, for glazing earthenware and other ceramic vessels by using a quartz paste. After firing this produces bright colors and a lustrous sheen. The figurine is today exibited at the Herakleion Archeological Museum in Crete. The snake’s close connection with the Minoan house is believed to indicate that the goddesses shown in these figures are Household Goddesses.
http://en.wikipedia.org/wiki/Snake_Goddess

The shedding of their skins was a symbol of rebirth and regeneration. One of the resources I read said that the snakes were allowed to live in the houses. (I am not sure how she knows that.) If so, I’m sure that the presence of the snakes kept down the mice.

Currently Crete does not have native venomous snakes and it is thought that there no venomous snakes in Crete during the Bronze Age either. So, of course I had to wonder if the asp was ever imported from Egypt.

(I think everyone knows that Cleopatra is supposed to have committed suicide with an asp. According to my research, however, it was a mixture of poisons including opium and wolfsbane. But I digress.)

The prevalence of women in the artwork, not just statuary but also the mosaics, have lent support to the theory that women enjoyed a high status in this society. It is theorized that the religion featured a Goddess as well as less important Gods. Several were transported virtually unchanged to the pantheon of Hellenic Greece.