Ancient medicine

We know the Ancient Greeks had medicine. Examples of the diseases that afflict us now, such as cancer and TB, and diseases we have managed to conquer such as smallpox, are found in their writings.

What do we know of medicine in Bronze Age Crete? Not very much. We know they used herbal remedies. An examination of Egyptian dynasties contemporary with Crete suggest other possible medical treatments. Papyri and scenes inscribed on walls depict medical instruments. The purpose of some of them, however, are still a mystery. Instruments from later dynasties have been found as well.

Papyri, and clay tablets from Mesopotamia, show that a huge feature in medicine was divine intervention. Prayer and animal sacrifice, which we know were also employed in Bronze Age Crete, were important features. Amulets, to keep demons and bad outcomes at bay, were commonly used. Astral medicine, i.e. using the stars to predict the best time for the best outcomes, was also very important. The zodiacal calendar was used to predict the most propitious times for medical treatments.

I want to add that seers were used to predict the best times for all important activities. The flights of birds was one method. The sacrifice of a sheep and the reading of the organs was another.

Our current medical system certainly has flaws. I am very glad, though, that a surgery appointment does not depend on how a flock of birds fly through the sky!

Albany Book Festival and More

Last Saturday I attended the Albany Book Festival at the Albany University Upper Campus. This is always one of my favorite events as it gives me a chance to talk to both other writers and of course many readers.

Jacqueline Boulden, Carol Pouliot, Chris Keefer, Amy Patricia Meade, Syr Lazlo, Catherine Bruns, Eleanor Kuhns – some of the Mavens of Mayhem.

My contest on Fresh Fiction has been extended through October. Follow this link: https://gleam.io/Jghrh/eleanor-kuhns-september to join and possibly win a copy of my new book, In the Shadow of the Bull, as well as A Simple Murder and a $10.00 Amazon gift card.

Very excited to announce I will be speaking at Newburgh Free Library next Wednesday, October 4 at 6:30. The event is free.

Knossos, major city of Bronze Age Crete

Arthur Evans, who excavated Knossos, estimated the original Neolithic settlements on Crete stretch back to 8000 B.C.E. By 2000, the civilization had transitioned from wattle and daub huts to an affluent society marked by mis-named palaces. Misnamed because it is thought they were not simply the abode of the rulers but also governmental, religious and craftsmen centers. The remains of storage rooms were also discovered on this site.

Below are the large storage vessels known as pithy.

Knossos was destroyed several times. Crete is prone to earthquakes and there is a nearby volcano. Until about 1400 B.C.E. Knossos was always rebuilt.

Since the ruins were excavated Knossos has become a major tourist attraction. Some of it has been repainted in what is thought to be the original colors.

Here is one example: the so-called throne room. The lustral basin in the foreground and the griffins (a symbol of the Goddess) indicated that this chamber was probably used for religious purposes.

The above is one of the many frescoes in Knossos (with me goofing around in front of it.). It is called the cup Bearer and is, I think, an example of male Minoan fashions. Both men and women wore their hair with the three tresses over the shoulders and the remainder loose down the back. Headdresses and jewelry was also common to both sexes. and the wasp waist was high fashion.

I based my character Tinos on this piece of art.

Knossos was not the only city found. The ruins of others such as Gournia, to the east, were also excavated. Akrotiri, a Minoan colony, on another island, is currently being dug out from many feet of hardened volcanic ash.

Willies

What are willies?

In Ancient Greece, Willies, sometimes described as nymphs or magical maidens, were the spirits of girls who died before their time (before marriage and motherhood) and returned as spirit beings, or ghosts, to our world.

As described in some of the folklore, if they died disappointed or abused and were not put to rest with the proper rituals, they would return and haunt their families, usually for nine generations. (The number nine appears to be sacred to the Minoans.)

Arge, Martis’s sister, would be considered a willie. Martis relies on her to help solve the mystery of Arge’s death. Would we consider Arte a ghost? Not exactly. She is a spirit but there is a mystical component to her in accordance with Minoan beliefs.

Is this where the phrase Gave me the willies came from. I don’t know.willies

The Bull

The date for the release of In the Shadow of the Bull is now July 4 for the UK. No word on the release date in the US yet.

In an attempt to reveal what we know of this ancient culture, I thought I would begin with the bull. Bulls were sacred. I’ve read varying explanations. Is it because the Bull represented the male principle, even in a society with a Supreme Goddess? Is it because of the connection with Poseidon. also a God in this culture. (I have mentioned previously how much the Classical Greeks borrowed from the Minoans).

Whatever the reason, the mosaics, the statuary, the rites practiced were all centered around the Bull.

One of the practices was bull dancing or bull leaping. This is a feature of the Theseus myth. Since it was written by the occupying Greeks, it has a negative spin. In the myth, Minos, the ruler of Knossos, requires tribute from the mainland: 7 young women and 7 young men, to face the fearsome Minotaur in the labyrinth. (The creation of the Minotaur is another myth, a rather creepy one.) Theseus volunteers to be one of the tributes. Minos’ daughter Ariadne gives Theseus a ball of string and he is able to kill the Minotaur and lead the other tributes to safety.

Frescoes from Knossos show young men and women (probably teenagers) leaping over a charging bull. The bull dancer grasped the horns and flipped over the bull’s back. Another member of the team caught and steadied him as he landed. There seems to be no doubt that these performances occurred.

Remnants of mazes pictured in mosaics have also been found. But labyrinth, a synonym for a maze, is actually from the word labyrs, a sacred two headed axe used in religious rituals.

A stylized version of the bull’s horns, called the Horns of Consecration, were used everywhere. Examples have survived in Knossos.

In the Shadow of the Bull Cover

So excited to show the cover for the first book of the new series of mysteries .

It really conveys the ancient era I think. And the bull, which was sacred to this culture, is as important as the people.

The Amazing Horse

Although horses are not as important to our civilization as they once were – Will Rees of my Historical murder mystery series – could not have functioned without his horses, they bear a weight of history and myth that is probably greater than a dog’s. And dogs have had a long history as special partners to humans.

When I first began my research for my Bronze Age series, I was astonished to find that horses did not arrive on Crete until sometime in the Middle Bronze Age. There is a picture of a man in one of the one-sailed Cretan ships with a horse in the bow. No one knows if that is actually how horses reached Crete of if the artist was employing creative license. I mean, who doesn’t visualize the amazing chariot race in Ben-Hur (set many hundreds of years later) or even the importance of horses in the Iliad (again later). The giant wooden horse represented a creature so familiar to everyone no even questioned it.

But I digress.

Here’s what I recall from my childhood dinosaur phase. First, the proto horses certainly did not foretell their importance in later millennia. They were small, about the size of a rabbit. But they survived when the mastodons and other enormous mammals did not. Fossils from these early horses have been found in Wyoming. (And in Eurasia where they became extinct.) But how can that be when there were no horses here until they were brought by Europeans? Well, as the climate changed, changing from forest to grasslands, the proto horse changed with it. Four toes evolved into into a large central toe and then into hooves.

Then what happened? They passed over the land bridge from what is now Alaska back to Eurasia – which turned out to be a good thing for these early horses. In North America, the change in climate and fauna brought woodland. Now the land bridge was submerged and they could not escape. So they died out on this continent. But they thrived in Eurasia.

Now fascinated with  this amazing animal, I began researching them, not how they interacted with humans – although I couldn’t really avoid us – and discovered they have a pretty astonishing  history of their own.

Princess Helen

My knowledge of Helen is taken from popular culture: movies, myths and the like. I began to realize that I actually knew very little of the story. I picked up a biography by Bettany Hughes called: Helen of Troy: Goddess, Princess, Whore.

Very interesting.

One of the things that has always puzzled me is the description of the God Apollo – the sun God. He has blond hair. Why?  This is Greece after all.  Helen is always described as blond. And Menelaus is described as having red hair.

Like all of the countries in Europe, Greece has seen regular influxes of new people. In the Neolithic and Paleolithic such movements populated islands like Crete. But once a area is populated a wave of new people is viewed as an invasion.

The Mycenaeans were one such group. Described by archeologists as an Indo-Duropean culture, they swept onto the Greece mainland and then to Crete. By around 1500 B.C. the pottery and architecture on Crete, although heavily influenced by the Minoans, was now Mycenaean. And they were a warrior patriarchal culture.

But I digress.

These Mycenaeans apparently carried genes for both blond and red hair.

Helen is also described as fair and white-skinned.  Pale skin certainly goes with blond hair, that is true, but I think the association with fair skin and beauty has a much longer history. Both Egyptian and Cretan art color males as reddish-brown. The women, even the bull-leapers wearing loincloths like their male teammates, are white. White lead for the skin has been found in tombs. (So white lead to whiten the skin has a long history – take that Queen Elizabeth I.) Some of the frescos and cult figures show women with that unnaturally white skin. Red circles are painted on their cheeks and chin and the scarlet suns are surrounded by dots.  The research I have done suggests these decorations had some religious meaning but I don’t think anyone knows for sure.

Anyway,  Paintings of Helen right through the Middle Ages portray her with an almost corpse like pallor.  Why is that considered beautiful?  Because she clearly did not toil in the fields?

The other cosmetic used throughout the Mediterranean is kohl. We are familiar with the frescos that show both men and women with the heavy black lines around their eyes. The use of kohl actually had a practical purpose: it protected the eyelids from sunburn and acted as an insect repellent. A recipe for kohl includes charred almond shells, soot, and frankincense. It must have been incredibly sticky. However, it was probably necessary.

In the well-known bust of Nefertiti, one eye is blind. Is the statue damaged? Or is this an accurate representation of Nefertiti? Caused by the bacterium Chlamydia trachomatis, trachoma is easily spread through direct personal contact, shared towels and cloths, and flies that have come in contact with the eyes or nose of an infected person. If left untreated, repeated trachoma infections can cause severe scarring of the inside of the eyelid and can cause the eyelashes to scratch the cornea (trichiasis). In addition to causing pain, trichiasis permanently damages the cornea and can lead to irreversible blindness.

One other note. Writings from that time, including Homer’s Iliad, describe Helen as ‘shimmering’ and ‘glittering’. Besides the jewelry she wore, Helen would have been dressed in the finest of clothing. According to Hughes, the linen clothing of that time would gave been brushed with olive oil which leaves a shiny residue. So she actually would have glittered. Who knew?

 

The Minotaur

I’m sure most of us know something about Theseus and the Minotaur. Here’s the backstory. The Greeks revered Zeus. Poseidon wanted to be honored too so he sent a white bull to Minos, the King of Crete. Minos’s wife Parsiphae fell in love with the bull. She tasked Daedalus (yes, the inventor with the wax wings whose son was Icarus) to build a special wooden box in the shape of a cow. Once inside the box, she had intercourse with the bull. Nine months later she bore a half-man, half-bull. The Minotaur.

The myth reeks of patriarchy and a desire to, in modern parlance, throw shade on Cretan beliefs.

First, in Crete Zeus was not the primary God. He was an upstart, more akin to a harvest God, who died and was reborn.

We also don’t know if Crete had a King. Certainly it was a goddess centered, matrilineal culture. Many archeologists have assumed Crete had kings, but for decades these archeologists were men. Men, moreover, who lived with a strongly patriarchal structure. It is possible the Priestess’s consort acted as a wanax, or governor. Kingships came with the Mycenaeans.

Third several ancient cultures revered the bull or, in Indo-Europe the horse. One of the rites was mock intercourse with this symbol of fertility by the Queen/Priestess. This act was supposed to guarantee good crops, lots of livestock and of course healthy children for the coming year.

But what about the Minotaur?

Well, many many ancient and not so ancient cultures employ masks in religious rites. Animals are a frequently the subject.  Is it so far a stretch to believe that the Minotaur is a masked man involved in a religious rite?

Besides painting Theseus as a hero (which I dispute but more about that later), this myth spins Crete as decadent and deserving of conquest. By the Myceneans, naturally.