Willies

What are willies?

In Ancient Greece, Willies, sometimes described as nymphs or magical maidens, were the spirits of girls who died before their time (before marriage and motherhood) and returned as spirit beings, or ghosts, to our world.

As described in some of the folklore, if they died disappointed or abused and were not put to rest with the proper rituals, they would return and haunt their families, usually for nine generations. (The number nine appears to be sacred to the Minoans.)

Arge, Martis’s sister, would be considered a willie. Martis relies on her to help solve the mystery of Arge’s death. Would we consider Arte a ghost? Not exactly. She is a spirit but there is a mystical component to her in accordance with Minoan beliefs.

Is this where the phrase Gave me the willies came from. I don’t know.willies

The Bull

The date for the release of In the Shadow of the Bull is now July 4 for the UK. No word on the release date in the US yet.

In an attempt to reveal what we know of this ancient culture, I thought I would begin with the bull. Bulls were sacred. I’ve read varying explanations. Is it because the Bull represented the male principle, even in a society with a Supreme Goddess? Is it because of the connection with Poseidon. also a God in this culture. (I have mentioned previously how much the Classical Greeks borrowed from the Minoans).

Whatever the reason, the mosaics, the statuary, the rites practiced were all centered around the Bull.

One of the practices was bull dancing or bull leaping. This is a feature of the Theseus myth. Since it was written by the occupying Greeks, it has a negative spin. In the myth, Minos, the ruler of Knossos, requires tribute from the mainland: 7 young women and 7 young men, to face the fearsome Minotaur in the labyrinth. (The creation of the Minotaur is another myth, a rather creepy one.) Theseus volunteers to be one of the tributes. Minos’ daughter Ariadne gives Theseus a ball of string and he is able to kill the Minotaur and lead the other tributes to safety.

Frescoes from Knossos show young men and women (probably teenagers) leaping over a charging bull. The bull dancer grasped the horns and flipped over the bull’s back. Another member of the team caught and steadied him as he landed. There seems to be no doubt that these performances occurred.

Remnants of mazes pictured in mosaics have also been found. But labyrinth, a synonym for a maze, is actually from the word labyrs, a sacred two headed axe used in religious rituals.

A stylized version of the bull’s horns, called the Horns of Consecration, were used everywhere. Examples have survived in Knossos.

In the Shadow of the Bull Cover

So excited to show the cover for the first book of the new series of mysteries .

It really conveys the ancient era I think. And the bull, which was sacred to this culture, is as important as the people.

Ancient Crete

Now that In the Shadow of the Bull will be released this summer, I thought I should talk a little bit about the culture of ancient Crete.

Although it is called the Minoan Era, that is a misnomer. Minos was a mythical king mentioned in Greek stories from Classical Greece, many years later.

What we do know is that this sophisticated society flourished in the Bronze Age, only to be destroyed about 1459 B.C.E, The volcano on the island now called Santorini blew, sending ash as far away as Turkey., and causing massive damage to Crete. Some archaeologists discuss signs of rebuilding but the Achaeans, the Greeks from the Mainland, were able to take advantage and occupy the island.

The iconic statuettes from Bronze Age Crete  are of women (priestesses probably although some scholars claim they are the Goddess) with snakes twining up their arms and around their waists. Snakes were sacred in this Bronze Age religion.

Snake Goddess describes a number of figurines of a woman holding a serpent in each hand found during excavation of Minoan archaeological sites in Crete dating from approximately 1600 BCE. By implication, the term 'goddess' also describes the deity depicted; although little more is known about her identity apart from that gained from the figurines. The 'Snake Goddess' figure first discovered was found by the British archaeologist Arthur Evans in 1903. The figurine found by Arthur Evans uses the faience technique, for glazing earthenware and other ceramic vessels by using a quartz paste. After firing this produces bright colors and a lustrous sheen. The figurine is today exibited at the Herakleion Archeological Museum in Crete. The snake's close connection with the Minoan house is believed to indicate that the goddesses shown in these figures are Household Goddesses. http://en.wikipedia.org/wiki/Snake_Goddess
Snake Goddess describes a number of figurines of a woman holding a serpent in each hand found during excavation of Minoan archaeological sites in Crete dating from approximately 1600 BCE. By implication, the term ‘goddess’ also describes the deity depicted; although little more is known about her identity apart from that gained from the figurines. The ‘Snake Goddess’ figure first discovered was found by the British archaeologist Arthur Evans in 1903. The figurine found by Arthur Evans uses the faience technique, for glazing earthenware and other ceramic vessels by using a quartz paste. After firing this produces bright colors and a lustrous sheen. The figurine is today exibited at the Herakleion Archeological Museum in Crete. The snake’s close connection with the Minoan house is believed to indicate that the goddesses shown in these figures are Household Goddesses.
http://en.wikipedia.org/wiki/Snake_Goddess

The shedding of their skins was a symbol of rebirth and regeneration. One of the resources I read said that the snakes were allowed to live in the houses. (I am not sure how she knows that.) If so, I’m sure that the presence of the snakes kept down the mice.

Currently Crete does not have native venomous snakes and it is thought that there no venomous snakes in Crete during the Bronze Age either. So, of course I had to wonder if the asp was ever imported from Egypt.

(I think everyone knows that Cleopatra is supposed to have committed suicide with an asp. According to my research, however, it was a mixture of poisons including opium and wolfsbane. But I digress.)

The prevalence of women in the artwork, not just statuary but also the mosaics, have lent support to the theory that women enjoyed a high status in this society. It is theorized that the religion featured a Goddess as well as less important Gods. Several were transported virtually unchanged to the pantheon of Hellenic Greece.

Snakes and serpents, oh my

The iconic statuettes from Bronze Age Crete  are of women (priestesses probably although some scholars claim they are the Goddess) with snakes twining up their arms and around their waists. Snakes were sacred in this Bronze Age religion.

Snake Goddess describes a number of figurines of a woman holding a serpent in each hand found during excavation of Minoan archaeological sites in Crete dating from approximately 1600 BCE. By implication, the term 'goddess' also describes the deity depicted; although little more is known about her identity apart from that gained from the figurines. The 'Snake Goddess' figure first discovered was found by the British archaeologist Arthur Evans in 1903. The figurine found by Arthur Evans uses the faience technique, for glazing earthenware and other ceramic vessels by using a quartz paste. After firing this produces bright colors and a lustrous sheen. The figurine is today exibited at the Herakleion Archeological Museum in Crete. The snake's close connection with the Minoan house is believed to indicate that the goddesses shown in these figures are Household Goddesses. http://en.wikipedia.org/wiki/Snake_Goddess

Snake Goddess describes a number of figurines of a woman holding a serpent in each hand found during excavation of Minoan archaeological sites in Crete dating from approximately 1600 BCE. By implication, the term ‘goddess’ also describes the deity depicted; although little more is known about her identity apart from that gained from the figurines. The ‘Snake Goddess’ figure first discovered was found by the British archaeologist Arthur Evans in 1903. The figurine found by Arthur Evans uses the faience technique, for glazing earthenware and other ceramic vessels by using a quartz paste. After firing this produces bright colors and a lustrous sheen. The figurine is today exibited at the Herakleion Archeological Museum in Crete. The snake’s close connection with the Minoan house is believed to indicate that the goddesses shown in these figures are Household Goddesses.
http://en.wikipedia.org/wiki/Snake_Goddess

 

The shedding of their skins was a symbol of rebirth and regeneration. One of the resources I read said that the snakes were allowed to live in the houses. (I am not sure how she knows that.) If so, I’m sure that the presence of the snakes kept down the mice.

Currently Crete does not have native venomous snakes and it is thought that there no venomous snakes in Crete during the Bronze either. So, of course I had to wonder if the asp was ever imported from Egypt.

(I think everyone knows that Cleopatra is supposed to have committed suicide with an asp. According to my research, however, it was a mixture of poisons including opium and wolfsbane. But I digress.)

The asp’s bite is very venomous. The victim dies in about four minutes.

The Magnificent Horse Part 2

he new God-centered religion and the status of women intersected.

Patriarchy went with these mounted warriors and the status of women took a nosedive. This culture worshipped male Gods and was stratified with warriors at the top, priests next, and craftsmen below. Warriors were buried with their weapons and sometimes their horses.

Take the Mycenaeans, for example. The Acheans were one of the first waves to hit Greece. In my previous blogs about Helen of Troy, I talked about her status. She was a princess, semi-divine, wealthy and the heir to the throne. Not her brothers – her. So the transformation of a women’s status was gradual. However, she could not choose her husband and her life was marked by rape and violence. At least the Mycenaeans were influenced by the earlier Bronze Age culture. As successive, and more warlike, waves of invaders came down eventually even Crete was breached and its cities sacked and burned.

We all know that the Jews are credited with the first monotheistic faith. Not so fast. According to Elinor W. Gadon, the very early Jews also worshipped a Goddess – the Queen of Heaven. In Jeremiah the prophet speaks out against her, saying that the Hebrews were exiled from Judea because of their neglect of Yahweh. (When they were exiled they went to Babylon which was at that time transitioning from Goddess worship to God worship. (Maria Gimbutas – The Living Goddesses.) But I digress, Anyway, according to the Bible, the people retorted that Judea fell because the rituals to the Goddess had been neglected after they’d been forbidden by the Deuteronomic reforms. (Jeremiah 44: 15-19).

By the time of the Classical Greeks and Romans, the status of women was in the cellar. Women were no longer permitted to leave the courtyards of father or husband except on certain religious festival days. In Greece homosexuality and pederasty were institutionalized. It makes a sort of sense if women were so devalued, their only value that of producing heirs, how could they possibly deserve love? In Rome women had no names but that of, first their fathers, and then their husbands.

The situation certainly did not improve with the advent of Christianity. Augustinian uses urine and feces to describe childbirth and refers to women as all that is vile, lowly and corruptible. We know one result of such passionate misogyny: the witch trials of the 1600s. According to Gabon (The Once and Future Goddess) thousands and thousands of women were burned at the stake. Estimates range from 100,000 to 9,000,000 (including women who died in prison). In some villages there were no women left alive.

Because patriarchy has lasted so long we now think of it as ‘normal’. But gradually everything is changing. I started my research with Arthur Evans, the archaeologist who first excavated Knossos. As I read through his writings I found his prejudices on open display. One example: despite all the frescos featuring women, he insisted they must all be of Goddesses. (And a lot of them are.) But his rationale was that there had to be a king, women could not possibly hold the power and the importance demonstrated by the art. And that is why the Bronze Age Civilization has been called the Minoan civilization, after Minos the King referred to in the Theseus myth. (This is not even historically accurate. If there were such a king, he would have probably been a Mycaenaen.)

The agrarian societies were pretty peaceful. That certainly has not been true of all that has come after, up to and including today. War and conquest has continued pretty much unabated for millennia.

Well, I have gone pretty far afield from my study of horses. Would patriarchy have conquered all without the nomadic horde? Maybe. Maybe not. After all, many of the American Indian tribes still take counsel from their ‘Grandmothers’. But I think it is pretty clear that the domestication of horses changed everything.

The Magnificent Horse and its importance – Part I

The horse has arguably been more important to human history than even the dog. Both have served as work animals, that is true, but the horse has altered the course of civilization.

Yes, the horse has drawn the plow. Certainly very important but oxen also were used to pull plows as well as other vehicles – carts, wagons and the like. But the major importance of horses, unlike any other animal, was their use in war.

I previously blogged about the Botai – the Eurasian nomads of the steppes. They have been credited with domestication of the horse and its gradual transformation from the wild genus to the domesticated one. The horse gave the steppe dwellers a tremendous advantage: mobility as well as an elevated position from which to rain down blows. They were fast and could travel great distances. And they did. Successive waves of these warriors swept into India and across Europe, right up to and including recorded time. Think Genghis Khan.

This culture had no arts to speak of. Their pottery, according to famed archaeologist Maria Gimbutas, was poor quality, especially when compared to the pottery of Crete. But they had weapons and with horses they were almost unbeatable.

What were the civilizations they swept across? Almost all were agrarian, peaceful and Goddess worshipping. They made sacrifices for good harvests and easy births. They didn’t have a chance. Crete ‘s culture survived because it was on an island. (And on the island it was peaceful- their cities were not walled.). A remnant survived in the British Isles. (the Picts – remember Hadrian’s Wall? Built by the Romans, it was designed to keep the Picts away.) And the Basques who still speak a non Indo-European language. And Scandinavia managed to hold on to their culture. They successfully resisted Christianity for hundreds of years, converting at the point of a sword, and then grafting their sacred pantheon on to the Christian God.

But I digress.

This is what these mounted nomads brought with them.

Language

Almost all of the languages spoken now, especially across Europe, is classed as Indo-European, although pockets of the earlier languages remain. Basque, for example, is still spoken today. According to Gimbutas, the Basques continue some of the traditions as well that stretch all the way back, probably to the Neolithic. In Crete and Anatolia place names from the early civilizations remain. Knossos, for example, is not Indo-European.

Written languages too were affected. The Cretans had three languages. A form of hieroglyphics (and yes, Crete and Egypt were neighbors and trading partners so probably there was some cross-fertilization), Linear A and Linear B. B is newer and was deciphered in the fifties. It is a form of early Greek, an Indo-European language. The other two remain mysterious.

With the Indo-European invasion, writing disappeared along with the fine pottery and many other examples of the civilization.

More about Horses

As humans began using horses for transport – and war-horses rapidly became very valuable. Forrest quotes a Mitanni horseman as saying a trained horse was worth twice as much as an ox and even an untrained horse twice as much as a cow. For many cultures horses became too valuable to eat. The first talking horse in literature, (in cuneiform dating from the seventh century) the horse says ‘My flesh is not eaten’. He has become too valuable and not just in money. A horse lends prestige.  A trained horse was essential for warfare (the horse is a ‘glorious creature’ clothed in copper armor). Where would the chevalier be without his steed?

By the time of the Old Testament, horses were forbidden flesh.  Forrest reports that Romans, who happily consumed dormice and ostriches, would only eat horsemeat in extreme poverty. Christians, who moved away from the strict dietary restrictions and ate pork and shrimp, kept the one forbidding horseflesh. There are cultures now who eat them. True. When Christianity moved into pagan German and east to the steppes of Eurasia it moved into territories where the horse had been eaten for centuries. It took a long time to establish the taboo. Among these ‘barbarians’, horses played a mythological role and were sacrificed and eaten as part of the rites. Like the bull in Ancient Crete. horses were divine. After sacrifice they were eaten, partly because it was believed eating sanctified flesh took the divinity and the other attributes of the animal into the human body.

In France, in an effort to encourage eating horseflesh, horse banquets were arranged in the middle 1800s. There were a lot of horses and a lot of starving poor.

To this day, people in some countries such as the U.S. and Great Britain do not eat horsemeat. In France, however, horseflesh  turns up on menus, sometimes to the chagrin of a diner whose French is not up to the translation. This happened to a friend who, when she discovered what was on the plate in front of her, went supperless. I share her revulsion even though I will happily consume chicken.I cannot imagine myself eating either horse or dog, the two companions that have shared our journey through history.

The Amazing Horse

Although horses are not as important to our civilization as they once were – Will Rees of my Historical murder mystery series – could not have functioned without his horses, they bear a weight of history and myth that is probably greater than a dog’s. And dogs have had a long history as special partners to humans.

When I first began my research for my Bronze Age series, I was astonished to find that horses did not arrive on Crete until sometime in the Middle Bronze Age. There is a picture of a man in one of the one-sailed Cretan ships with a horse in the bow. No one knows if that is actually how horses reached Crete of if the artist was employing creative license. I mean, who doesn’t visualize the amazing chariot race in Ben-Hur (set many hundreds of years later) or even the importance of horses in the Iliad (again later). The giant wooden horse represented a creature so familiar to everyone no even questioned it.

But I digress.

Here’s what I recall from my childhood dinosaur phase. First, the proto horses certainly did not foretell their importance in later millennia. They were small, about the size of a rabbit. But they survived when the mastodons and other enormous mammals did not. Fossils from these early horses have been found in Wyoming. (And in Eurasia where they became extinct.) But how can that be when there were no horses here until they were brought by Europeans? Well, as the climate changed, changing from forest to grasslands, the proto horse changed with it. Four toes evolved into into a large central toe and then into hooves.

Then what happened? They passed over the land bridge from what is now Alaska back to Eurasia – which turned out to be a good thing for these early horses. In North America, the change in climate and fauna brought woodland. Now the land bridge was submerged and they could not escape. So they died out on this continent. But they thrived in Eurasia.

Now fascinated with  this amazing animal, I began researching them, not how they interacted with humans – although I couldn’t really avoid us – and discovered they have a pretty astonishing  history of their own.

Who is Helen?

I’ve been blogging about Helen for a few weeks now so shouldn’t we know who she was? Well, not really.  Troy itself was thought to be mythic – until it was discovered.

Hughes believes Helen existed. I do too; the evidence is compelling. But the real Helen has been overlaid with so many other beliefs it is hard to know what to think.

For one thing, Hughes believes Helen became a minor Goddess in her own right. Women prayed to her for an easy childbirth. In a cave in Greece there is a stone worn flat by the gyrations of many women grinding against it as they prayed.

I have also heard that one cult believes Helen never went to Troy. (Thanks Sarah).

One thing is true, however. Helen has been viewed through the lens of (mostly) men’s eyes and decreed a harlot, a sinner, whose beauty lured men to destruction. (I always wonder about this attitude. It assumes men have no self-control. Seriously?) If Paris abducted her (and there is a lot of discussion on whether she was a willing participant or not), it was Helen’s fault. She was too beautiful. A woman’s beauty was to be possessed. It belonged to men.
And the men did not hesitate to take it, whether she was willing or not. Theseus (remember him? He was the destroyer of the Minotaur) was about fifty when he saw Helen dancing by the river bank with a number of other virgins. Dancing was a common religious ritual. Although still a child, she was already the most beautiful person in the world. Theseus saw her and just had to have her. Her age at this point has been given as 12, 10 or 7. He raped her and took her home. Helen’s brothers Castor and Pollux mounted a campaign against Theseus. Not only had he raped their sister but he had come into a country that did not belong to him and he attacked her in the middle of a religious rite. This early experience foreshadowed Helen’s future.

While many girls were married in their early teens, 7 seems incredibly young, even for that time. Theseus was the Mycenaean idea of a hero: aggressive and someone who took what he wanted.

Reading the writings of some of the early Christian monks is horrifying, depressing, enraging – pick your description. Everything is Helen’s fault simply because she is female and beautiful. The paintings of Helen and her abduction show a half-naked Rubenesque woman, her skin so pale it is luminous, surrounded by men as she is led away. Remember, she would have been a young girl at this point. Does anyone else see the disconnect between a woman condemned for her beauty being led away barely veiled in transparent draperies? What is it about the male psyche that hates the very thing that draws him so powerfully? A question for greater brains than mine.

But I digress.

In any event, after reading this book, I have a new appreciation of the complexity of Helen’s life (mythical or not) than I had before. Paraphrasing Shakespeare: she was “more sinned against than sinning.”