Helen of Troy

Helen of Troy should really be called Helen of Sparta since she was born in Sparta and was a Spartan princess. She was also a Mycenaen – part of the culture that swept into Bronze Age Crete. This period is probably fifty years after the period I am writing about but I did research into it anyway. We know a bit more about the Spartans and they were supposed to have been influenced by the Minoan civilization.

With that said, most of the Mediterranean cultures were influenced by this great civilization – maybe not in accordance with the wishes of the leaders since in Sparta laws were passed forbidding perfume, cosmetics and jewelry. However, girls were also educated at state expense and encouraged to be physically active. They also married later than many of their peers in other countries so maternal and infant mortality was less. They were also the scandal of Classical Greece since the women had so much more freedom than the poor wives in Athens. Although named for a Goddess, Athena, the women were kept closeted in their homes weaving with no company but slaves and other women. Even in Sparta, though, patriarchy ruled and the women had much less influence than those in Crete.

But I digress.

I think everyone knows the basic story:  that Helen was the most beautiful woman of her age. She was married to Menelaus, brother to Agamemnon. She was either abducted or chose to run away with Paris. (It doesn’t much matter if she was innocent. For most of the intervening centuries she has been considered a harlot.)They fled to Troy and a great war was fought that lasted more than ten years.  The war is the basis of the Iliad. As everyone knows, Troy was considered a myth until Schliemann excavated it.

Here’s what I did not know about Helen.

Another familiar myth is Leda and the Swan. Zeus takes the form of a swan to rape Leda. The child created by this union was Helen. Her beauty was frequently ascribed to her divine paternity. Because Zeus took the form of a swan, Helen was born from an egg. I am not kidding. Besides the painting that shows her rising from an egg, an artifact reputed to be a piece of the eggshell was a sacred object.

Since everybody in these stories are related, Helen’s half-brothers were the twins Castor and Pollux and her half-sister was Clytemnestra, wife to Agamemnon.

 

The Minotaur

I’m sure most of us know something about Theseus and the Minotaur. Here’s the backstory. The Greeks revered Zeus. Poseidon wanted to be honored too so he sent a white bull to Minos, the King of Crete. Minos’s wife Parsiphae fell in love with the bull. She tasked Daedalus (yes, the inventor with the wax wings whose son was Icarus) to build a special wooden box in the shape of a cow. Once inside the box, she had intercourse with the bull. Nine months later she bore a half-man, half-bull. The Minotaur.

The myth reeks of patriarchy and a desire to, in modern parlance, throw shade on Cretan beliefs.

First, in Crete Zeus was not the primary God. He was an upstart, more akin to a harvest God, who died and was reborn.

We also don’t know if Crete had a King. Certainly it was a goddess centered, matrilineal culture. Many archeologists have assumed Crete had kings, but for decades these archeologists were men. Men, moreover, who lived with a strongly patriarchal structure. It is possible the Priestess’s consort acted as a wanax, or governor. Kingships came with the Mycenaeans.

Third several ancient cultures revered the bull or, in Indo-Europe the horse. One of the rites was mock intercourse with this symbol of fertility by the Queen/Priestess. This act was supposed to guarantee good crops, lots of livestock and of course healthy children for the coming year.

But what about the Minotaur?

Well, many many ancient and not so ancient cultures employ masks in religious rites. Animals are a frequently the subject.  Is it so far a stretch to believe that the Minotaur is a masked man involved in a religious rite?

Besides painting Theseus as a hero (which I dispute but more about that later), this myth spins Crete as decadent and deserving of conquest. By the Myceneans, naturally.

Bull-leaping and Theseus

Bull leaping is probably one of the most well-known -if not the most well-known – image of the Minoan civilization. Most people believe the account written in the myth of Theseus and the Minotaur. It is important to remember the Greeks (the Mycenae and forward) borrowed a lot from other cultures. The civilization on Crete was very important. With that said, the Minoan civilization was Goddess centered while the Mycenae were patriarchal and that made a huge difference in how the invaders viewed the rites and rituals they saw.

In the Theseus myth, Minos exacts a tribute from Athens of 7 young men and 7 maidens to face the bull and perform bull-leaping. Minos’s daughter Ariadne falls in love with Theseus and gives him a ball of string to find his way through the labyrinth under the city and kill the Minotaur, (The creation of this beast is another story). Theseus does so, thereby freeing himself and the other tributes from Crete. He takes Ariadne with him but abandons her on another island. Great guy.

While tributes may have been pressed into service as bull-leapers, the bull-leaping was an integral part of the religious ceremonies. The bull was a sacred animal and the Cretan youth performed. Secondly, there are no labyrinths underneath Knossos and it is thought the pattern of building residences – all interlinked and connecting rooms – gave rise to the myth of a labyrinth.

And although labyrinth now means maze, the labys (the root of the word) was the iconic Cretan double axe. It had nothing to do with mazes.

Lastly, there is a lot of speculation about Minos. Was he a king? Perhaps after the Mycenae arrived, a kingship was established. Was he a consort of the High Priestess who, it is now thought, was the earthly representative of the Goddess. The Priestess chose a – or many – consorts. There is now some thought that he or other men served as a wanax and kept the wheels of the government running.