When I first began writing the Will Rees mysteries, I made a conscious decision to avoid jumping into that messy part of our history. Not because I didn’t think it was important, I did, but I didn’t think I was ready to navigate this serious subject. I allude to it in several books. In Death of a Dyer, for example, I mention the two people stolen from the village street by slave takers. This becomes important later.

Many books later, I wanted to set a mystery in the Great Dismal Swamp. Even now, although much smaller than it was 300 years ago, is still a pretty hostile environment. I’ve posted before about that previously. Anyway, fugitives from neighboring plantations, the escapees were called Maroons, set up small communities in the swamp. Tobias, the man stolen in Death of a Dyer, escapes and asks Rees to help recover his wife, now living in the swamp. Rees and Lydia travel to Virginia to do that and, of course, run smack into a murder.

Death in the Great Dismal forced me to confront slavery head on with characters who were so desperate for freedom they fled to the dangerous and forbidding swamp.
I continue the story in Murder on Principle. In the previous book, Rees and Lydia have rescued a couple of the enslaved people.

In Murder on Principle, the owner comes looking for them, bringing a grudge and smallpox that sweeps through the village. When he is found murdered, suspicion falls on the people Rees has brought north. I posed several ethical questions. One, if the slave owner intended to recover the people he thought of as his property, would they be guilty of murdering him or was it self-defense? How far does loyalty and friendship go in a case of murder? Are Tobias and Ruth justified in their anger at Rees for suspecting them? And finally, should Rees turn the murderer over to the constable or, considering the circumstances, let him go free? And what about the escaped slave who has lived in the north for years and is suddenly confronted with the prospect of recapture?
In Murder, Sweet Murder, I send the family to Boston. Lydia’s father has been accused of murder. Lydia, who has been estranged from her father for years, is reluctant to go and we soon learn why. He is a slave trader – despite the fact that Boston was the center of the Abolition movement.

Even though I do not address the issue of slavery in The Long Shadow of Murder directly, I feature the ripple effect of some of the actions taken during Murder on Principle. It is not just war that leaves people with PTSD but previous decisions and consequences from those decisions.

