Very excited to reveal the cover for my next Will Rees mystery: Death in the Great Dismal. It will be released early fall. In this book, Will and Lydia travel to the Great Dismal Swamp in Virginia to rescue a free black woman, taken from Maine and enslaved, who has fled to the swamp. One of the other maroons is murdered – but Will and Lydia are on the case.
I have had many wonderful covers but this one is exceptional.
Although I planned to schedule the giveaway to hit just before the release date – March 3 – the book is available now!
So sign up for you copy on Goodreads.
The circus has come to town. Rees drives in to see a performance but sees his old nemesis, Magistrate Hanson, instead. Returning home, Rees meets up with a group of Shakers who are searching for a missing girl. Rees agrees to help search – and they find the girl’s murdered body in a field.
Next March, A Circle of Dead Girls will be released. It has already been released in the UK.
The Will Rees Mystery that will come out after, probably next summer, is titled Death in the Great Dismal. As one may guess, this mystery takes Will and Lydia to the Great Dismal Swamp in Virginia.
Since I always find it easier to imagine my characters in the location in which the mystery takes place, I have visited the swamp again. What an amazing place!
But the publication day last Friday was in Great Britain. Publication of the new Will Rees in the United States does not occur until the beginning of March.
The circus is coming to town. Although primitive by our standards – the circus would not even have had a canvas big top – in 1800 where entertainment options were few, the circus would have been huge. No trapeze artists, but there would be a high wire act, a clown, maybe a magician and also animal acts. Not lions or even elephants, but the more common animals such as horses, dogs, and pigs.
Who could blame the children from being excited – even the children living with the Shakers. Sadly, only the boys would be allowed inside, and the men, as women were not permitted to view such frivolity.
Circuses also provided a haven for refugees. This was only 7 years after the French Revolution and Napoleon was marching across Europe with his armies.
Acrobats are another piece of the circus story that has a long history. The first known depictions of acrobats jugglers appeared about 5000 years ago, in Egypt, in the early dynastic period (3000 B.C.). The Egyptians developed a strong tradition of these arts and later taught them to the Greeks. They in turn taught the arts to the Romans.
The Romans spread them throughout their Empire via itinerant troupes of performers.
Acrobatics rose independently in China.
Although the earliest performances had religious overtones, the entertainers soon realized the audiences enjoyed the performances as entertainment. This created tension with the religious powers, culminating in the Middle Ages who accused the performers of being in league with the devil. During the Reformation in England during the 1660s, all such forms of frivolity was forbidden.
When we think of circuses, we usually think of exotic animals: lions and tigers and elephants.
But the first animals that were used in the early circus in the United States were not those exotics (especially then). The first elephant l did not come to this country until 1794. One elephant was brought from the Orient (which covered India, China, Japan and more then) by the Salem merchants.
No, most of the animals that would have been used in a circus were more homey. Dogs, pigs ( like the pig used by Billy the clown in A Circle of Dead Girls), and maybe bears. Horses were the stars for many years since the circus begun by Astley in England had begun as an equestrian show.
Some of the primary sources I read quoted farm boys who went home after the circus and tried to train their farm horses to circus tricks.
Calling someone a Luddite now is an accusation of being anti-technology and anti-progress. The name comes from a group of protesters, weavers and other textile workers, in the 19thcentury who blackened their faces and broke into factories to destroy the new weaving and spinning machinery. They named themselves Luddites, after King Ludd, the fictional leader.
Their struggles resonate with me, first because Will Rees, my primary protagonist and detective, is a weaver in the late 18thcentury. He will lose his profession as the textile factories take over. (The first textile mill was built in Waltham, Massachusetts in 1814.) And second, because the fears of the textile workers – that the machinery would replace them – is being replicated today in a score of professions. The men who called themselves Luddites were not anti-machinery. They were fighting to maintain their livelihoods.
These textile workers had reason to worry. Prior to the invention of the weaving machines, weaving was a skilled occupation. Weavers underwent an apprenticeship of seven years before they could call themselves weavers and set up shop. With the transition to the machines, the time and energy invested in learning the skills for this profession was wasted. And unnecessary. The weaving machines were more efficient and they allowed for less skilled, and thus lower paid, workers.
Although the Luddites are remembered for the destruction of the machinery, they were not protesting the new equipment. Instead, they opposed the use of the machinery to sidestep labor practices that were standard at that time. As the men lost their jobs, the factory owners, to maximize their profits, employed women and children who were paid much less. Children as young as six worked 14 hours a day in the factories.
The situation was slightly different in the United States. The population was smaller, for one thing, so there was not the same labor pool. To solve the problem Lowell hired young women, who became known as mill girls, between the ages of 15 and 35. He of course paid them less than men. (To his credit, he chose not to employ children.)
In Great Britain the Government sided with the factory owners. Machine breaking was made a capital crime. The Luddites clashed several times with British soldiers and groups of men, some part of the protest, some not, were swept up. The harsh sentences – execution and penal transportation – that were levied on those men found guilty of being Luddites quickly destroyed the movement. We are seeing similar dislocation today.
A Circle of Dead Girls is set against the beginnings of the circus in the new U.S.
The circus itself, of course, is very old. Acrobatics began with the Ancient Egyptians and, independently, in China. By the Middle Ages, traveling troupes went all through Europe and England, performing at fairs and other events. But when the Puritans came to power in England, such frivolity as the circus was forbidden. The circus did not begin again until 1768 when a retired military instructor, Sergeant-Major Philip Astley, decided to display his equestrian prowess. It proved surprisingly popular and a few years later he decided to add jugglers, acrobats and other performers, ending each show with a pantomime.
A student of Astley, John Bill Ricketts, was the man who brought the circus to the United States. He’d planned to open a riding school/circus in France but with the increasing hostilities between England and France chose to go to the United States instead. Following the lead of Astley, Ricketts opened a riding school in Philadelphia first in 1792. Philadelphia was the capital of the United States at that time. When that was established and his reputation made, he built an arena for his circus in 1793.
By 1900 the circus was the most popular form of entertainment in the country.
In A Circle of Dead Girls, I posit the beginnings of the traveling circus that makes a stop in Maine. And from there lies a tale . . .
When the escaped slaves fled to the swamp, they bedded down first under the pines. They grow only on the drier islands.
Most of the swamp resembles an impassible green curtain.
Now the swamp is passable via boardwalks. This one leads to a memorial honoring the maroons.
In the ninth entry in the Will Rees Series, Will and Lydia travel to the Great Dismal Swamp to help a friend. Several murders occur – of course since these are murder mysteries.
This is a peat bog and in some places the peat is fourteen feet deep, Although we went in September, it was still really buggy. It is hard to imagine people living here, raising families and, on the drier places, trying to farm.
