Tag Archives: Greek myths

Curetes (Kouretes)

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One of the challenges of writing historical fiction, especially historical fiction that takes place as long ago as Bronze Age Crete, is the difficulty of sorting through the various myths – and the various iterations of the myths. I’ve already discussed the conflation of Zeus and Dionysus in that they share an origin story. When the tribes of mainland Greece swept over Crete after the Santorini volcanic eruption, they adopted much of the Cretan culture. Then they adapted what they’d taken to suit themselves.

Since we are familiar with the Classical Greek myths, so familiar in some case we have internalized them, we think of them as the ‘correct’ stories. Dionysus’s origin story, which became Zeus’s, is one such.

The outlines of Zeus’s story are this. Since it was predicted that one of Cronus’ children would kill him and take his position, he swallowed all of his children as soon as they were born. To protect Zeus, his mother Rhea wrapped a stone in a swaddling cloth (which Cronus swallowed) and the baby was hidden in a cave in Mt. Ida.

In the Cretan myth, it is Dionysus that is hidden in the cave. Each was described as suckled by either a nanny goat or a sow. To hide the baby’s cries, Kouretes made noise.

Who are the Kouretes? If you google the name, they are described as crested, armored warriors who clash their shields together so Cronus can’t hear the baby crying.

But this is not the whole story. According to an earlier myth, the Curetes were the first inhabitants of the Greek island of Crete. They were mythical creatures, specifically legendary benign deities who lived prior to the Minoans. According to an early Greek myth, the Kouretes were not born. They sprang out of the earth of Crete when the infant Zeus wept and his tears fell on the ground.

In this version, they made a hanging cradle for Zeus so he was not of the Earth, the sky, or the sea. He was therefore well protected from Cronus.

Because these are myths, and all things are possible, the Kouretes are supposed to have invented hunting, the first bow, dance, and even the Olympic Games.

Gods and Goddesses of Bronze Age Crete

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From the preponderance of female figures on seals and in frescoes, archaeologists believe Crete worshipped a Supreme Goddess, probably a fertility Goddess from Neolithic times. (Similar to Astarte.)There is some dispute whether the statuary depicting women with snakes in their hands are representations of the Goddess or Priestesses engaged in a ritual.

note the tiered skirt, the short-sleeved jacket and the tight belt around the waist.

Besides the Supreme Goddess, there was a pantheon of Gods and Goddesses. Poseidon, the God of the Oceans and Earthquakes, is one. (He was adopted by the mainland Greeks with almost no change.) Dionysus is another God, a very old one. A vegetation God, he is the God of wine as well as the Master of Animals. Unlike the Gods and Goddess of Classical Greece, Dionysus is not immortal. He is born each spring, grows to manhood throughout the year, and dies in winter.

One particularly interesting feature of Dionysus is his birth, in a cave and nourished by nanny goats. Sound familiar? The Cretan Zeus, a relative latecomer to the pantheon, is ascribed the same birth story. In Classical times, the same tale is told of Zeus’ birth, (although with a myth about the Titans surrounding it.) Zeus, of course, was elevated to the major God for the Classical Greeks.

The Goddesses are more complicated. Were they individuals or aspects of the Supreme Goddesses? Maybe a mix of the two? Aphrodite is connected to the Bronze Age and her name is pre-Greek. Artemis was a virgin, and the hunt was sacred to her, just as the Classical Greeks believed. Hera was another important Goddess. Shrines to her have been found in Crete. She was responsible for childbirth, a task she shared with Artemis. In the Classical Greek pantheon, she was reduced from being an important Goddess in her own right to Zeus’s jealous wife.

Britomartis meaning Sweet Virgin or Sweet Maiden, was worshipped by the fishermen. Her other name is Diktynna for the nets the fishermen used. I took her name and used the second half, Martis as the name of the protagonist in In the Shadow of the Bull and the sequels.

What about the Minotaur? Was the bull-headed man a God?We know that bulls were very very important in Ancient Crete. The statuary and frescos of bull leapers and the many representations of bulls is proof of that. But, was the Minotaur sacred? I choose to believe that the Minotaur was a creation of the Mainland Greeks, representing something they did not understand – rituals involving masked priests.

As excavations and study of this amazing culture continues, I’m sure we discover more about their religion.

Theseus

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Bull leaping is probably one of the most well-known -if not the most well-known – image of the Minoan civilization. Most people believe the account written in the myth of Theseus and the Minotaur. It is important to remember the Greeks (the Mycenae and forward) borrowed a lot from other cultures. The civilization on Crete was very important. With that said, the Minoan civilization was Goddess centered while the Mycenae were patriarchal and that made a huge difference in how the invaders viewed the rites and rituals they saw.

In the Theseus myth, Minos exacts a tribute from Athens of 7 young men and 7 maidens to face the bull and perform bull-leaping. Minos’s daughter Ariadne falls in love with Theseus and gives him a ball of string to find his way through the labyrinth under the city and kill the Minotaur, (The creation of this beast is another story). Theseus does so, thereby freeing himself and the other tributes from Crete. He takes Ariadne with him but abandons her on another island. Great guy. She lands on her feet, though. Dionysus finds her there and marries her.

While tributes may have been pressed into service as bull-leapers, the bull-leaping was an integral part of the religious ceremonies. The bull was a sacred animal and the Cretan youth performed. Secondly, although there are caves, there are no labyrinths underneath Knossos and it is thought the pattern of building residences – all interlinked and connecting rooms – gave rise to the myth of a labyrinth.

And although labyrinth now means maze, the labys (the root of the word) was the iconic Cretan double axe. It had nothing to do with mazes.

Since the Classical Greeks seem to have been a dour lot, the ending of Theseus’ journey home has a sad ending. He’d told his father if he succeeded, and still lived, he would change the ship’s sails to white. But Theseus forgot so his father, seeing the black sails, thought his son had died. King Aegeus committed suicide

Ancient Crete and the Minotaur

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While researching Bronze Age Crete and Greece for my mystery series: First book – In the Shadow of the Bull – I spent a lot of time reading the Greek myths.

Most of us have at least a passing knowledge of the Greek myths. These are from the Classical period, a millennia at least from the heyday of Bonze Age Crete. That does not mean, however, that Crete was not hugely influential in these myths.

Take the myth of Theseus and the Minotaur, for example. Here’s the backstory. The Greeks revered Zeus. Poseidon wanted to be honored too so he sent a white bull to Minos, the King of Crete. Minos’s wife Parsiphae fell in love with the bull. She tasked Daedalus (yes, the inventor with the wax wings whose son was Icarus) to build a special wooden box in the shape of a cow. Once inside the box, she had intercourse with the bull. Nine months later she bore a half-man, half-bull. The Minotaur.

The myth reeks of patriarchy and a desire to, in modern parlance, throw shade on Cretan beliefs.

First, in Crete Zeus was not the primary God. He was an upstart, more akin to a harvest God, who died and was reborn.

We also don’t know if Crete had a King. Certainly it was a goddess centered, matrilineal culture. Many archeologists have assumed Crete had kings, but for decades these archeologists were men. Men, moreover, who lived with a strongly patriarchal structure. It is possible the Priestess’s consort acted as a wanax, or governor. Kingships came with the Mycenaeans, i.e. the mainland Greeks who finally occupied Crete.

Several ancient cultures revered the bull or, in Indo-Europe (the steppes) the horse. One of the rites was mock intercourse with this symbol of fertility by the Queen/Priestess. This act was supposed to guarantee good crops, lots of livestock and of course healthy children for the coming year.

But what about the Minotaur?

Well, many many ancient and not so ancient cultures employ masks in religious rites. Animals are a frequently the subject.  Is it so far a stretch to believe that the Minotaur is a masked man involved in a religious rite? I theorize that a rite performed in ancient Crete involved intercourse between the High Priestess’s consort who wore a bull mask.

Besides painting Theseus as a hero (which I dispute but more about that later), this myth spins Crete as decadent and deserving of conquest. By the Myceneans, naturally.

Currently Reading

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Since I’ve begun working on the next in my Bronze Age Crete Mystery series (beginning with In the Shadow of the Bull)

I’ve been doing research. The first book is Arcadian Days, a retelling of several of the Greek myths.

I’ve read in the Edith Hamilton collection of myths – in eighth grade. The retelling by Spurling lays out those myths he chooses in a much clearer way. My goodness, the Greeks were a bloodthirsty lot. I don’t know how they slept at night. The story of Medea is the stuff of nightmares.

Jason, of Jason and the Argonauts, meets Medea when he goes for the Golden Fleece. She agrees to help him if he will marry her and he agrees. Big mistake! As they are fleeing with the fleece, she arrives on board with a bundle, which turns out to be her step-brother. As her father pursues them, she slits the toddler’s throat and dismembers him, throwing limbs in the water so her father will stop and pick them up.

It doesn’t get any more cheerful from here. Medea, it is apparent, is a psychopath.

Other myths are no so violent but all of the families, no matter how favored by the Gods they seem, have terrible lives.Greek Myths

Princess Helen

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My knowledge of Helen is taken from popular culture: movies, myths and the like. I began to realize that I actually knew very little of the story. I picked up a biography by Bettany Hughes called: Helen of Troy: Goddess, Princess, Whore.

Very interesting.

One of the things that has always puzzled me is the description of the God Apollo – the sun God. He has blond hair. Why?  This is Greece after all.  Helen is always described as blond. And Menelaus is described as having red hair.

Like all of the countries in Europe, Greece has seen regular influxes of new people. In the Neolithic and Paleolithic such movements populated islands like Crete. But once a area is populated a wave of new people is viewed as an invasion.

The Mycenaeans were one such group. Described by archeologists as an Indo-Duropean culture, they swept onto the Greece mainland and then to Crete. By around 1500 B.C. the pottery and architecture on Crete, although heavily influenced by the Minoans, was now Mycenaean. And they were a warrior patriarchal culture.

But I digress.

These Mycenaeans apparently carried genes for both blond and red hair.

Helen is also described as fair and white-skinned.  Pale skin certainly goes with blond hair, that is true, but I think the association with fair skin and beauty has a much longer history. Both Egyptian and Cretan art color males as reddish-brown. The women, even the bull-leapers wearing loincloths like their male teammates, are white. White lead for the skin has been found in tombs. (So white lead to whiten the skin has a long history – take that Queen Elizabeth I.) Some of the frescos and cult figures show women with that unnaturally white skin. Red circles are painted on their cheeks and chin and the scarlet suns are surrounded by dots.  The research I have done suggests these decorations had some religious meaning but I don’t think anyone knows for sure.

Anyway,  Paintings of Helen right through the Middle Ages portray her with an almost corpse like pallor.  Why is that considered beautiful?  Because she clearly did not toil in the fields?

The other cosmetic used throughout the Mediterranean is kohl. We are familiar with the frescos that show both men and women with the heavy black lines around their eyes. The use of kohl actually had a practical purpose: it protected the eyelids from sunburn and acted as an insect repellent. A recipe for kohl includes charred almond shells, soot, and frankincense. It must have been incredibly sticky. However, it was probably necessary.

In the well-known bust of Nefertiti, one eye is blind. Is the statue damaged? Or is this an accurate representation of Nefertiti? Caused by the bacterium Chlamydia trachomatis, trachoma is easily spread through direct personal contact, shared towels and cloths, and flies that have come in contact with the eyes or nose of an infected person. If left untreated, repeated trachoma infections can cause severe scarring of the inside of the eyelid and can cause the eyelashes to scratch the cornea (trichiasis). In addition to causing pain, trichiasis permanently damages the cornea and can lead to irreversible blindness.

One other note. Writings from that time, including Homer’s Iliad, describe Helen as ‘shimmering’ and ‘glittering’. Besides the jewelry she wore, Helen would have been dressed in the finest of clothing. According to Hughes, the linen clothing of that time would gave been brushed with olive oil which leaves a shiny residue. So she actually would have glittered. Who knew?

 

Princess Helen

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Besides her reputation as a great beauty, Helen was a princess and a very wealthy one at that. Because property and wealth went down through the woman, Helen was the heir to Laconia and the surrounding area. So, as in common in myths and fairy tales, there was a great contest for Helen’s hand in marriage. After a full year of stick fighting and boxing and so on, there were still a number of contestants standing. After another contestant is chose and screws up his chance by getting drunk, Menelaus, the richest man in town, takes home the prize.

Helen would have been, at most, in her teens. Maybe even early teens. Menelaus was already a man. Remember that when you think of Paris. By all repute, he had the body of a God and a dewy beauty. The consensus back then that he was weak and effeminate – not a warrior. His own brother (Hector) says this: “Our prince of beauty – mad for women, you lure them all to ruin.” In my mind I picture him as a member of a boy band – catnip to an adolescent girl. So disaster was all but ensured.

And here’s a question that puzzled me until I began doing research. Helen spent more than ten years with Paris and by all accounts was not a reluctant participant. Why did Menelaus take her back? She fades from history when she returns to him.

Because this was a matrilineal society, the land, the position and the resources went from mother to daughter. Not father to son. So Menelaus had to take Helen back if he wanted to continue as king of Laconia.

Am I being too cynical to suspect the whole furor – the war and all – was not over Helen because of her great beauty but because without her Menelaus lost his kingship?

 

Helen of Troy

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Helen of Troy should really be called Helen of Sparta since she was born in Sparta and was a Spartan princess. She was also a Mycenaen – part of the culture that swept into Bronze Age Crete. This period is probably fifty years after the period I am writing about but I did research into it anyway. We know a bit more about the Spartans and they were supposed to have been influenced by the Minoan civilization.

With that said, most of the Mediterranean cultures were influenced by this great civilization – maybe not in accordance with the wishes of the leaders since in Sparta laws were passed forbidding perfume, cosmetics and jewelry. However, girls were also educated at state expense and encouraged to be physically active. They also married later than many of their peers in other countries so maternal and infant mortality was less. They were also the scandal of Classical Greece since the women had so much more freedom than the poor wives in Athens. Although named for a Goddess, Athena, the women were kept closeted in their homes weaving with no company but slaves and other women. Even in Sparta, though, patriarchy ruled and the women had much less influence than those in Crete.

But I digress.

I think everyone knows the basic story:  that Helen was the most beautiful woman of her age. She was married to Menelaus, brother to Agamemnon. She was either abducted or chose to run away with Paris. (It doesn’t much matter if she was innocent. For most of the intervening centuries she has been considered a harlot.)They fled to Troy and a great war was fought that lasted more than ten years.  The war is the basis of the Iliad. As everyone knows, Troy was considered a myth until Schliemann excavated it.

Here’s what I did not know about Helen.

Another familiar myth is Leda and the Swan. Zeus takes the form of a swan to rape Leda. The child created by this union was Helen. Her beauty was frequently ascribed to her divine paternity. Because Zeus took the form of a swan, Helen was born from an egg. I am not kidding. Besides the painting that shows her rising from an egg, an artifact reputed to be a piece of the eggshell was a sacred object.

Since everybody in these stories are related, Helen’s half-brothers were the twins Castor and Pollux and her half-sister was Clytemnestra, wife to Agamemnon.