Tag Archives: historical fiction

Challenges of writing Historical Fiction

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Writing Historical Fiction has some unique issues. (So does writing mysteries but those usually revolves around plot.) Conveying a compelling setting is one difficulty. The writer wants to make the reader feel the culture and the time period – without using the dreaded data dump. Descriptions must be seeded throughout the story like pepper grains, not lumped in a pile. And the descriptions of the clothing, the food, the buildings – they can’t stop the flow of the action. Believe me, this is hard. At best, the writer uses the setting in an organic manner. I wrapped my cloak around me against the cold rain – for example.

Second is the issue of characters. For example, in my latest book, In the Shadow of the Bull, Martis is fifteen. But that is just a child, right? As I discussed last week, age is relative. Even in this country, and not so long ago, girls were allowed to marry at fifteen – or even younger. Because girls married young, Martis knows she will be expected to marry in a few years. Her only escape is to follow the Virgin Goddess Artemis, and never marry.

Another challenge is culture. What language does the writer use? Language that was common not long ago is offensive now. While we may deplore that, it still asks a question: should a writer use language that was accurate to the time but offensive now? Any writer who sets a story in the past of the United States wrestles with this one.

Language ties in to the culture. In the past, and not a very distant past, a number of groups were marginalized. Writing a story in the 1950s South doesn’t mean that LBGTQ+ people didn’t exist, just that they were hiding. In Bronze Age Crete, current scholarship suggests a complicated structure of slavery. A child’s status might rest on where he or she was born rather than the status of the mother.

Finally, one of the most difficult issues to address is what the reader brings to the book. I have had disputes with readers about certain facts, despite verifying a fact with documentary proof. Some readers just know they are correct and will flame you for not agreeing with them. This is by far the most frustrating, especially since the writer does not know where these beliefs come from.

Outside of the usual difficulties of writing a book, (grammar, character development, plot, setting) the historical writer faces a raft of unique problems,

Murder, Sweet Murder Review

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So pleased to receive this wonderful review from Missi Stockwell Martin.

Murder, Sweet Murder (Will Rees Mysteries #11) by Eleanor Kuhns

Will Rees accompanies his wife to Boston to help clear her estranged father’s name in this gripping mystery set in the early nineteenth century.

January, 1801. When Lydia’s estranged father is accused of murder, Will Rees escorts her to Boston to uncover the truth. Marcus Farrell is believed to have murdered one of his workers, a boy from Jamaica where he owns a plantation. Marcus swears he’s innocent. However, a scandal has been aroused by his refusal to answer questions and accusations he bribed officials.

As Will and Lydia investigate, Marcus’s brother, Julian, is shot and killed. This time, all fingers point towards James Morris, Lydia’s brother. Is someone targeting the family? Were the family quarreling over the family businesses and someone lashed out? What’s Marcus hiding and why won’t he accept help?

With the Farrell family falling apart and their reputation in tatters, Will and Lydia must solve the murders soon. But will they succeed before the murderer strikes again?  (Summary via Goodreads)

Readers of the Will Rees Mystery series by Eleanor Kuhns are going to go crazy, in a good way, when they start reading the eleventh book, Murder, Sweet Murder……Rees and his wife Lydia along with two of their children are heading to Boston to visit Lydia’s family.

In Murder, Sweet Murder Lydia, who left home many years ago when her father had tried to marry her off to a gentlemen that she did not love, is returning after receiving a letter from her younger sister asking for help.  It seems that their father Marcus was accused of murder and Cordelia, Cordy, knows that Will and Lydia have helped solve crimes in their hometown in Maine so they are the obvious choice to clear Marcus’s name.  Unfortunately when they arrive at Lydia’s old home, they are not as welcomed as they had hoped.  First no one other than Cordy wants an investigation, it seems the case has somehow been swept under the rug, and second the family is not so warm to accepting Will into the family.  When Lydia left she didn’t keep in touch with anyone other than Cordy so they are not aware of Will as her husband and of her children.

Will and Lydia are not deterred and begin their investigation into the young man’s death.  It is known that he is from Jamaica, a plantation that Marcus owns, but not much more is known. He was killed in the middle of the night outside a tavern that was closed, no witnesses that they are aware of and not much to go on…so Will decides to start at the place of death and go from there……

Every time that they think they have a clue or a fact to the murder, something happens that changes their minds.  Once they start investigating they learn of more people that could possibly have committed the murder and when they find out that the person killed isn’t who everyone thinks, they are lead down another disturbing road.  And when someone else is murdered in exactly the same way as the first person, Will and Lydia are more determined to find the killer !!

Readers will be drawn into the story immediately !!  Readers will love that Will and Lydia are traveling to Boston allowing us to get to know Lydia’s family and the secrets that have kept her away for all those years.  There will be members of the family you will fall in love with instantly and there will be some you will hate as soon as you meet them….but you will enjoy the time that you spend in Boston and will be just as glad as Will is when they leave.

Review by Missi M.

The pitfalls of language (for a Historical fiction writer)

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Usually, when I write about language, I write about idioms. There is nothing like a dated idiom to drop into your story and stop the action. And idioms are tricky. Some, even some we use all the time, are ancient. I think of ‘strike while the iron is hot’ which, although phrased different according to the century, has been around for hundreds of years.

But some idioms enjoy a brief spurt of popularity and are never heard from again. When was the last time you heard ‘Like the bees knees’? And of course, new idioms are always being created.

In this post, though, I am going to discuss a few words. They can be even trickier than the idioms. We use our familiar language frequently without thought, as I was reminded recently. And believe me, if you add an anachronism to your novel, someone is sure to know.

So the first word is clue. That has to be new, right? Probably created during the thirties, with Agatha Christie. No, my friends. Clue is very old, from Middle English, where it was spelled clew and meant ball of thread. The modern spelling is from the mid-1620s. Gradually, the meaning changed to it points the way.

Well, what about okay? Now, there is a word that has spread across the globe. If you watch foreign language movies, the word okay comes up regularly. I was told many years ago that it originated in an American Indian language – Choctaw to be exact – because missionaries signed letters Okeh. Okay, it turns out, was an editorial joke, created in 1839. It was popularized by Martin Van Buren.

Finally, hello. Who could question hello? Well, this word is a newbie. It may be an alteration of hallo from the High German, It was used for the first documented time in 1834. Thomas Alva Edison is credited with its use as a telephone greeting.

Even our common language lays traps for the unwary writer!