Category Archives: Greek myths

Gods and Goddesses of Bronze Age Crete

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From the preponderance of female figures on seals and in frescoes, archaeologists believe Crete worshipped a Supreme Goddess, probably a fertility Goddess from Neolithic times. (Similar to Astarte.)There is some dispute whether the statuary depicting women with snakes in their hands are representations of the Goddess or Priestesses engaged in a ritual.

note the tiered skirt, the short-sleeved jacket and the tight belt around the waist.

Besides the Supreme Goddess, there was a pantheon of Gods and Goddesses. Poseidon, the God of the Oceans and Earthquakes, is one. (He was adopted by the mainland Greeks with almost no change.) Dionysus is another God, a very old one. A vegetation God, he is the God of wine as well as the Master of Animals. Unlike the Gods and Goddess of Classical Greece, Dionysus is not immortal. He is born each spring, grows to manhood throughout the year, and dies in winter.

One particularly interesting feature of Dionysus is his birth, in a cave and nourished by nanny goats. Sound familiar? The Cretan Zeus, a relative latecomer to the pantheon, is ascribed the same birth story. In Classical times, the same tale is told of Zeus’ birth, (although with a myth about the Titans surrounding it.) Zeus, of course, was elevated to the major God for the Classical Greeks.

The Goddesses are more complicated. Were they individuals or aspects of the Supreme Goddesses? Maybe a mix of the two? Aphrodite is connected to the Bronze Age and her name is pre-Greek. Artemis was a virgin, and the hunt was sacred to her, just as the Classical Greeks believed. Hera was another important Goddess. Shrines to her have been found in Crete. She was responsible for childbirth, a task she shared with Artemis. In the Classical Greek pantheon, she was reduced from being an important Goddess in her own right to Zeus’s jealous wife.

Britomartis meaning Sweet Virgin or Sweet Maiden, was worshipped by the fishermen. Her other name is Diktynna for the nets the fishermen used. I took her name and used the second half, Martis as the name of the protagonist in In the Shadow of the Bull and the sequels.

What about the Minotaur? Was the bull-headed man a God?We know that bulls were very very important in Ancient Crete. The statuary and frescos of bull leapers and the many representations of bulls is proof of that. But, was the Minotaur sacred? I choose to believe that the Minotaur was a creation of the Mainland Greeks, representing something they did not understand – rituals involving masked priests.

As excavations and study of this amazing culture continues, I’m sure we discover more about their religion.

Labyrinths

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The word labyrinth is from Bronze Age Crete. Labrys refers to the double-headed axe used in religious rituals. It definitely was not a tool. Labyrinth did not refer to a maze. (Perhaps to a place of labors?)

The labyrinth in Knossos was made famous in the Theseus and Minotaur myth. To recap, Athens was required to send fourteen kids (seven girls and seven boys) to Crete to be consumed by the bull-headed monster the Minotaur. The monster is confined to a maze underneath the city so that neither he, nor the tributes, can escape. Theseus, the son of the Athens’ King, is included in one of the tributes. Ariadne, King Minos’ daughter, falls in love with Theseus and gives him a ball of string and a sword. Theseus successfully kills the Minotaur and uses the string to find his, and the other captives, out of the maze.

Was there a maze under Knossos? It is true that Crete is a nation of mountains and caves. Perhaps there was, exactly as the myth describes, and through the years the earthquakes and of course the volcanic explosion of Thera on Santorini has erased it.

Another theory posits that the interlocking rooms of the palace in Knossos, which comprised workshops, storage rooms, meeting rooms as well as apartments, was the original labyrinth.

Current excavations, however, have turned up a floor mosaic of a maze, as well as a fragment of pottery decorated with a maze. So, mazes were important to this society.

This is not unlikely, Mazes have been found in other long ago societies. A maze carved into rock has been found near Tintagel, Cornwall and spirals carved into rock at Newgrange. One author makes the claim that Glastonbury Tor is a maze.

Why Mazes? Were they a metaphor for birth and renewal? A quest to reach the center as a symbol of finding enlightenment? Or did the mazes in Ancient Crete have some religious purpose we don’t yet know?

On thing we can be sure of: a Minotaur did not sit at the center to eat the tributes for Athens.

Theseus

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Bull leaping is probably one of the most well-known -if not the most well-known – image of the Minoan civilization. Most people believe the account written in the myth of Theseus and the Minotaur. It is important to remember the Greeks (the Mycenae and forward) borrowed a lot from other cultures. The civilization on Crete was very important. With that said, the Minoan civilization was Goddess centered while the Mycenae were patriarchal and that made a huge difference in how the invaders viewed the rites and rituals they saw.

In the Theseus myth, Minos exacts a tribute from Athens of 7 young men and 7 maidens to face the bull and perform bull-leaping. Minos’s daughter Ariadne falls in love with Theseus and gives him a ball of string to find his way through the labyrinth under the city and kill the Minotaur, (The creation of this beast is another story). Theseus does so, thereby freeing himself and the other tributes from Crete. He takes Ariadne with him but abandons her on another island. Great guy. She lands on her feet, though. Dionysus finds her there and marries her.

While tributes may have been pressed into service as bull-leapers, the bull-leaping was an integral part of the religious ceremonies. The bull was a sacred animal and the Cretan youth performed. Secondly, although there are caves, there are no labyrinths underneath Knossos and it is thought the pattern of building residences – all interlinked and connecting rooms – gave rise to the myth of a labyrinth.

And although labyrinth now means maze, the labys (the root of the word) was the iconic Cretan double axe. It had nothing to do with mazes.

Since the Classical Greeks seem to have been a dour lot, the ending of Theseus’ journey home has a sad ending. He’d told his father if he succeeded, and still lived, he would change the ship’s sails to white. But Theseus forgot so his father, seeing the black sails, thought his son had died. King Aegeus committed suicide

Ancient Crete and the Minotaur

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While researching Bronze Age Crete and Greece for my mystery series: First book – In the Shadow of the Bull – I spent a lot of time reading the Greek myths.

Most of us have at least a passing knowledge of the Greek myths. These are from the Classical period, a millennia at least from the heyday of Bonze Age Crete. That does not mean, however, that Crete was not hugely influential in these myths.

Take the myth of Theseus and the Minotaur, for example. Here’s the backstory. The Greeks revered Zeus. Poseidon wanted to be honored too so he sent a white bull to Minos, the King of Crete. Minos’s wife Parsiphae fell in love with the bull. She tasked Daedalus (yes, the inventor with the wax wings whose son was Icarus) to build a special wooden box in the shape of a cow. Once inside the box, she had intercourse with the bull. Nine months later she bore a half-man, half-bull. The Minotaur.

The myth reeks of patriarchy and a desire to, in modern parlance, throw shade on Cretan beliefs.

First, in Crete Zeus was not the primary God. He was an upstart, more akin to a harvest God, who died and was reborn.

We also don’t know if Crete had a King. Certainly it was a goddess centered, matrilineal culture. Many archeologists have assumed Crete had kings, but for decades these archeologists were men. Men, moreover, who lived with a strongly patriarchal structure. It is possible the Priestess’s consort acted as a wanax, or governor. Kingships came with the Mycenaeans, i.e. the mainland Greeks who finally occupied Crete.

Several ancient cultures revered the bull or, in Indo-Europe (the steppes) the horse. One of the rites was mock intercourse with this symbol of fertility by the Queen/Priestess. This act was supposed to guarantee good crops, lots of livestock and of course healthy children for the coming year.

But what about the Minotaur?

Well, many many ancient and not so ancient cultures employ masks in religious rites. Animals are a frequently the subject.  Is it so far a stretch to believe that the Minotaur is a masked man involved in a religious rite? I theorize that a rite performed in ancient Crete involved intercourse between the High Priestess’s consort who wore a bull mask.

Besides painting Theseus as a hero (which I dispute but more about that later), this myth spins Crete as decadent and deserving of conquest. By the Myceneans, naturally.

Currently Reading

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Since I’ve begun working on the next in my Bronze Age Crete Mystery series (beginning with In the Shadow of the Bull)

I’ve been doing research. The first book is Arcadian Days, a retelling of several of the Greek myths.

I’ve read in the Edith Hamilton collection of myths – in eighth grade. The retelling by Spurling lays out those myths he chooses in a much clearer way. My goodness, the Greeks were a bloodthirsty lot. I don’t know how they slept at night. The story of Medea is the stuff of nightmares.

Jason, of Jason and the Argonauts, meets Medea when he goes for the Golden Fleece. She agrees to help him if he will marry her and he agrees. Big mistake! As they are fleeing with the fleece, she arrives on board with a bundle, which turns out to be her step-brother. As her father pursues them, she slits the toddler’s throat and dismembers him, throwing limbs in the water so her father will stop and pick them up.

It doesn’t get any more cheerful from here. Medea, it is apparent, is a psychopath.

Other myths are no so violent but all of the families, no matter how favored by the Gods they seem, have terrible lives.Greek Myths