Category Archives: Knossos

Labyrinths

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The word labyrinth is from Bronze Age Crete. Labrys refers to the double-headed axe used in religious rituals. It definitely was not a tool. Labyrinth did not refer to a maze. (Perhaps to a place of labors?)

The labyrinth in Knossos was made famous in the Theseus and Minotaur myth. To recap, Athens was required to send fourteen kids (seven girls and seven boys) to Crete to be consumed by the bull-headed monster the Minotaur. The monster is confined to a maze underneath the city so that neither he, nor the tributes, can escape. Theseus, the son of the Athens’ King, is included in one of the tributes. Ariadne, King Minos’ daughter, falls in love with Theseus and gives him a ball of string and a sword. Theseus successfully kills the Minotaur and uses the string to find his, and the other captives, out of the maze.

Was there a maze under Knossos? It is true that Crete is a nation of mountains and caves. Perhaps there was, exactly as the myth describes, and through the years the earthquakes and of course the volcanic explosion of Thera on Santorini has erased it.

Another theory posits that the interlocking rooms of the palace in Knossos, which comprised workshops, storage rooms, meeting rooms as well as apartments, was the original labyrinth.

Current excavations, however, have turned up a floor mosaic of a maze, as well as a fragment of pottery decorated with a maze. So, mazes were important to this society.

This is not unlikely, Mazes have been found in other long ago societies. A maze carved into rock has been found near Tintagel, Cornwall and spirals carved into rock at Newgrange. One author makes the claim that Glastonbury Tor is a maze.

Why Mazes? Were they a metaphor for birth and renewal? A quest to reach the center as a symbol of finding enlightenment? Or did the mazes in Ancient Crete have some religious purpose we don’t yet know?

On thing we can be sure of: a Minotaur did not sit at the center to eat the tributes for Athens.

Status of women in Bronze Age Crete

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One of the topics that came up regularly in my research concerned the status of women. Was this a matriarchal society that worshipped a Goddess? Did the women enjoy high status?

Here is what we know. The murals and the seals portray many women and on the seals the female figure is several times larger than the male figure.

As one might expect, scholars differed on the question. Some of the early archaeologists assert that women could not have had such high status because, well, they were women. How then to explain the prevalence of women in the murals? How to explain the large female figure in the seals?

One explanation is that this culture worshipped a Goddess, along with other Gods such as Poseidon and Dionysus. But the worship of a feminine Goddess did not translate into high status for women in general.

The discussion continues today with the disagreement over the gender of the bull leapers. A famous mosaic depicts both white and red figures jumping over the bull. Some scholars posit that the white figures were female, following the Egyptian fashion of painting male and female figures different colors. This theory is supported by the Greek myth of Theseus and the Minotaur in which seven girls and seven boys are sent to Knossos from Athens as tribute.

In my opinion, and based on the evidence offered by the mosaics, the seals and the myth ( the mainland Greeks tried to portray the Minoans in as negative light as possible), I believe women enjoyed a high status in this culture. Goddess worship is almost universally accepted.

Right or wrong, that is how I envision this culture in my mystery, In the Shadow of the Bull.

Knossos, major city of Bronze Age Crete

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Arthur Evans, who excavated Knossos, estimated the original Neolithic settlements on Crete stretch back to 8000 B.C.E. By 2000, the civilization had transitioned from wattle and daub huts to an affluent society marked by mis-named palaces. Misnamed because it is thought they were not simply the abode of the rulers but also governmental, religious and craftsmen centers. The remains of storage rooms were also discovered on this site.

Below are the large storage vessels known as pithy.

Knossos was destroyed several times. Crete is prone to earthquakes and there is a nearby volcano. Until about 1400 B.C.E. Knossos was always rebuilt.

Since the ruins were excavated Knossos has become a major tourist attraction. Some of it has been repainted in what is thought to be the original colors.

Here is one example: the so-called throne room. The lustral basin in the foreground and the griffins (a symbol of the Goddess) indicated that this chamber was probably used for religious purposes.

The above is one of the many frescoes in Knossos (with me goofing around in front of it.). It is called the cup Bearer and is, I think, an example of male Minoan fashions. Both men and women wore their hair with the three tresses over the shoulders and the remainder loose down the back. Headdresses and jewelry was also common to both sexes. and the wasp waist was high fashion.

I based my character Tinos on this piece of art.

Knossos was not the only city found. The ruins of others such as Gournia, to the east, were also excavated. Akrotiri, a Minoan colony, on another island, is currently being dug out from many feet of hardened volcanic ash.