Amazons – Warrior Women

In Greek legends, the Amazons were formidable women warriors who lived on the edge of the known world. Hercules had to obtain the magic girdle of the Amazonian queen Hippolyte in one of his 12 labours, and Achilles killed another queen, Penthesilea, only to fall in love with her when he saw her face. (Kind of ironic that.)

These horseback-riding, bow-wielding nomads, who fought and hunted just like men, have long been shrouded in myth. (Remember, one of the stories claims these fierce female warriors also cut off one breast so as to be able to shoot a bow more effectively.

Now archaeologists are discovering increasing evidence that they really did exist.

Excavations of graves within a bronze age necropolis in Nakhchivan in Akzbaijan revealed that women had been buried with weapons such as razor-sharp arrowheads, a bronze dagger and a mace, as well as jewellery.

These fearsome women from 4000 years ago were famed for their male-free society and their prowess on the battlefield, particularly with a bow and arrow. (The men were, according to one theory, out fighting themselves. To another, that the men were tending the herds.)

Recent issues of Archaeology Magazine and World Archaeology have discussed the excavations leading up to the conclusion that the women from the Caucasus could have been the legendary Amazons.

In 2019, the remains of four female warriors buried with arrowheads and spears were found in Russia and, in 2017, Armenian archaeologists unearthed the remains of a woman who appeared to have died from battle injuries, as an arrowhead was buried in her leg. In the early 1990s, the remains of a woman buried with a dagger were found near the Kazakhstan border.

Some of the skeletons reveal that the women had used bows and arrows extensively. Historian Bettany Hughes observed that “Their fingers are warped because they’re using arrows so much. Changes on the finger joints wouldn’t just happen from hunting. That is some sustained, big practice. What’s very exciting is that a lot of the bone evidence is also showing clear evidence of sustained time in the saddle. Women’s pelvises are basically opened up because they’re riding horses. [Their] bones are just shaped by their lifestyle.”

This is particularly interesting to me since current theory suggests patriarchy came from the steppes with the adoption of the horse. Maybe the story isn’t as cut and dried as it appears.

A documentary detailing some of these finds will be broadcast on the BBC in April. In it, Hughes visits the mountain village of Khinalig. This is the highest inhabited place in Europe. There has been a settlement there since the Bronze Age, and stories handed down through their generations tell of women who fought like men but covered their faces with scarves.

Women, it appears, enjoyed more varied lives in the ancient past than those brought about by patriarchy in our more recent cultural history.

Women in Minoan Crete

Since March is Women’s History month, I thought I would discuss the women of Bronze Age Crete. In my series, I chose to write about this advanced society from about 2600 to approximately 1100 B.C.E. where women played pivotal roles in religion, culture and possibly even the governing of the cities. (In my previous series, I had a male protagonist, a traveling weaver, because women had a much inferior role in the United States of the late 1700s. They couldn’t own property or vote and if their husbands died, their sons took on the responsibility for their care. I wrote about the Shakers extensively, however, since in that society, women were equal and shared equal power in governance of the community.)

Frescoes and artifacts unearthed portray women in positions of reverence and power, suggesting a society where gender roles were viewed differently from contemporaneous civilizations.

Religion was female-centric, with goddess worship at its core. The male figures were always pictured as smaller than a central and large female figure. Women – or priestesses – were often depicted with open arms in a gesture of divine power. I imagined them as influential figures, managing religious ceremonies and advising on state affairs.

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Although the myths about Minos and the Minotaur are what we know today, one has to remember they were told by the Classical Greeks, a very patriarchal society. On Crete, real women likely held sway in the Minoan court. Administrative records and luxurious goods designed for female use display their influence, hinting at the wealth and status women enjoyed. I previously blogged about textiles and the elaborate clothing women wore.

Archaeological findings suggest that queens may have ruled alongside kings or even independently. The opulent grave goods of priestess-queens, often buried with symbols of power, reveal the respect and reverence these women commanded. I imagined a male consort who managed administrative details, under the Queen who was also the High Priestess.

The archeology suggests women’s influence extended beyond the spiritual realm into economics and craftsmanship. The intricately designed pottery, seal stones, and frescoes feature women in prominent roles. We know the intricate textiles, woven by the women, were traded all over the Aegean.

Emerging evidence further suggests that women in Minoan society received an education. In my books, I talk about the agoge, an initiation into society. I based it on what we know of the ancient Spartans who also educated their women. They spent a year minimum in a dorm with other women before marriage and children. (Boys, we think, went into a dorm at the age of seven.)

These ancient Minoans were a progressive culture ahead of its time.

Status of women in Bronze Age Crete

One of the topics that came up regularly in my research concerned the status of women. Was this a matriarchal society that worshipped a Goddess? Did the women enjoy high status?

Here is what we know. The murals and the seals portray many women and on the seals the female figure is several times larger than the male figure.

As one might expect, scholars differed on the question. Some of the early archaeologists assert that women could not have had such high status because, well, they were women. How then to explain the prevalence of women in the murals? How to explain the large female figure in the seals?

One explanation is that this culture worshipped a Goddess, along with other Gods such as Poseidon and Dionysus. But the worship of a feminine Goddess did not translate into high status for women in general.

The discussion continues today with the disagreement over the gender of the bull leapers. A famous mosaic depicts both white and red figures jumping over the bull. Some scholars posit that the white figures were female, following the Egyptian fashion of painting male and female figures different colors. This theory is supported by the Greek myth of Theseus and the Minotaur in which seven girls and seven boys are sent to Knossos from Athens as tribute.

In my opinion, and based on the evidence offered by the mosaics, the seals and the myth ( the mainland Greeks tried to portray the Minoans in as negative light as possible), I believe women enjoyed a high status in this culture. Goddess worship is almost universally accepted.

Right or wrong, that is how I envision this culture in my mystery, In the Shadow of the Bull.