The volcano underneath Santorini is not extinct. It has continued to erupt and spew lava.
The small volcanic island off Santorini’s coast is made up of the cooled lava coming from beneath the ocean.
We hiked up to the top of this island, and it was really hot too. Since it is being added to, this little piece continues to grow.
When the volcano exploded in approximately 1450 B.C.E., it spread ash as Far East as Turkey. Archaeologists discovered a city on Santorini that had been buried in ash. Akrotiri is currently being excavated. Unlike Pompeii where entombed bodies have been discovered, no bodies have been found. So far, anyway. It is thought that they had enough warning to escape.
What led to the end of the Minoan culture? As you might expect, there are several theories. War? Invasion? Natural Disaster? The current favorite is a combination of the final two.
The Mediterranean basin has, in a sense, its own small ring of fire. Because the African tectonic plate is colliding with the western portion of the Eurasian plate, the area is subject to earthquakes and to volcanoes. Two famous volcanoes are situated in Italy: Vesuvius and Etna. Both have erupted more than once during human history. Think Pompeii.
Next to Crete is a small island named Thera but now called Thera. In ancient times, it was a small circular island with a caldera in the center. Santorini now looks quite different, more like a comma with another piece a short distance away. Thera is the site of a volcano which blew in approximately 1450 B.C.E. It blew out the center of the island, depositing ash as far away as Turkey and causing a tsunami that, it is theorized, swamped the boats of the Minoan Navy. (This is where the second part – invasion – comes in. The Cretan society would have been seriously damaged and in disarray after such a catastrophe and would have been easy pickings for the early Mainland Greeks.)
This volcano is still active. It is under the ocean but continues to erupt, sending lava to the surface. The small piece separated from the larger island? It is now growing as the lava pushed up from below cools and is added to the baby island. Walking on the black volcanic stone is a strange feeling.
A cataclysm of such magnitude would not be easily forgotten. In fact it has been suggested, by Velikovsky and others, that this explosion was the germ of the Atlantis tale. Plato wrote about Atlantis and Velikovsky suggested the dimensions from Atlantis fit Crete if divided by 100.
This reminded me of the romantic suspense that was popular a number of years ago. With that said, the ending was quite different than it would have been in one of those books. I did not guess the mystery at all. It was fun, although I thought it was longer than it needed to be.
I also read Murder under a Red Moon by Harini Nagenra.
This is her second book (after the Bangalore Detectives Club ) and I really hope she continues with this series. Kaveri is a great character and this mystery is even better than the last. The setting (India in the 1920s) is very well drawn and she adds a dose of social commentary. In this one, she includes a few recipes, and not a common curry either. Truly excellent.
The word labyrinth is from Bronze Age Crete. Labrys refers to the double-headed axe used in religious rituals. It definitely was not a tool. Labyrinth did not refer to a maze. (Perhaps to a place of labors?)
The labyrinth in Knossos was made famous in the Theseus and Minotaur myth. To recap, Athens was required to send fourteen kids (seven girls and seven boys) to Crete to be consumed by the bull-headed monster the Minotaur. The monster is confined to a maze underneath the city so that neither he, nor the tributes, can escape. Theseus, the son of the Athens’ King, is included in one of the tributes. Ariadne, King Minos’ daughter, falls in love with Theseus and gives him a ball of string and a sword. Theseus successfully kills the Minotaur and uses the string to find his, and the other captives, out of the maze.
Was there a maze under Knossos? It is true that Crete is a nation of mountains and caves. Perhaps there was, exactly as the myth describes, and through the years the earthquakes and of course the volcanic explosion of Thera on Santorini has erased it.
Another theory posits that the interlocking rooms of the palace in Knossos, which comprised workshops, storage rooms, meeting rooms as well as apartments, was the original labyrinth.
Current excavations, however, have turned up a floor mosaic of a maze, as well as a fragment of pottery decorated with a maze. So, mazes were important to this society.
This is not unlikely, Mazes have been found in other long ago societies. A maze carved into rock has been found near Tintagel, Cornwall and spirals carved into rock at Newgrange. One author makes the claim that Glastonbury Tor is a maze.
Why Mazes? Were they a metaphor for birth and renewal? A quest to reach the center as a symbol of finding enlightenment? Or did the mazes in Ancient Crete have some religious purpose we don’t yet know?
On thing we can be sure of: a Minotaur did not sit at the center to eat the tributes for Athens.
One of the topics that came up regularly in my research concerned the status of women. Was this a matriarchal society that worshipped a Goddess? Did the women enjoy high status?
Here is what we know. The murals and the seals portray many women and on the seals the female figure is several times larger than the male figure.
As one might expect, scholars differed on the question. Some of the early archaeologists assert that women could not have had such high status because, well, they were women. How then to explain the prevalence of women in the murals? How to explain the large female figure in the seals?
One explanation is that this culture worshipped a Goddess, along with other Gods such as Poseidon and Dionysus. But the worship of a feminine Goddess did not translate into high status for women in general.
The discussion continues today with the disagreement over the gender of the bull leapers. A famous mosaic depicts both white and red figures jumping over the bull. Some scholars posit that the white figures were female, following the Egyptian fashion of painting male and female figures different colors. This theory is supported by the Greek myth of Theseus and the Minotaur in which seven girls and seven boys are sent to Knossos from Athens as tribute.
In my opinion, and based on the evidence offered by the mosaics, the seals and the myth ( the mainland Greeks tried to portray the Minoans in as negative light as possible), I believe women enjoyed a high status in this culture. Goddess worship is almost universally accepted.
Right or wrong, that is how I envision this culture in my mystery, In the Shadow of the Bull.
The society in Bronze Age Crete was extremely sophisticated. Besides toilets with running water, they had bathtubs. (found during digs).The mosaics and frescos with which they decorated their homes were expertly done and elegant. Examples of their jewelry, sculpture, metal working found in the digs display expertise. Rytons (drinking vessels) in the shape of bulls’ heads, bull dancers as they fly over a bull’s back – both types of works have been found. Gold seals with the bull and/or the Goddess have been found among the burial goods in mainland Greece as well as other places so we know that trade was going on and that these goods were valued. Crete had a robust trade in pottery, which has been found all over the Mediterranean including in Egypt.
It seems also as though when the Achaeans expanded into Crete, after the society was severely wounded by the explosion of the nearby volcano, they copied the jewelry, buildings, and religious beliefs.
Greece has been called the cradle of the theater (and probably poetry as well.) The God connected with the theater and the one who is credited with inventing it is Dionysus. He is a very old God and his name has been discovered in the texts. (Linear B was deciphered in the fifties. Linear A is still a mystery. Linear B was a very early form of Greek. But I digress.) So, if any culture can be praised for the invention of the performing arts, it would be this Bronze Age society on Crete.theater
Bull leaping is probably one of the most well-known -if not the most well-known – image of the Minoan civilization. Most people believe the account written in the myth of Theseus and the Minotaur. It is important to remember the Greeks (the Mycenae and forward) borrowed a lot from other cultures. The civilization on Crete was very important. With that said, the Minoan civilization was Goddess centered while the Mycenae were patriarchal and that made a huge difference in how the invaders viewed the rites and rituals they saw.
In the Theseus myth, Minos exacts a tribute from Athens of 7 young men and 7 maidens to face the bull and perform bull-leaping. Minos’s daughter Ariadne falls in love with Theseus and gives him a ball of string to find his way through the labyrinth under the city and kill the Minotaur, (The creation of this beast is another story). Theseus does so, thereby freeing himself and the other tributes from Crete. He takes Ariadne with him but abandons her on another island. Great guy. She lands on her feet, though. Dionysus finds her there and marries her.
While tributes may have been pressed into service as bull-leapers, the bull-leaping was an integral part of the religious ceremonies. The bull was a sacred animal and the Cretan youth performed. Secondly, although there are caves, there are no labyrinths underneath Knossos and it is thought the pattern of building residences – all interlinked and connecting rooms – gave rise to the myth of a labyrinth.
And although labyrinth now means maze, the labys (the root of the word) was the iconic Cretan double axe. It had nothing to do with mazes.
Since the Classical Greeks seem to have been a dour lot, the ending of Theseus’ journey home has a sad ending. He’d told his father if he succeeded, and still lived, he would change the ship’s sails to white. But Theseus forgot so his father, seeing the black sails, thought his son had died. King Aegeus committed suicide
Since I’ve begun working on the next in my Bronze Age Crete Mystery series (beginning with In the Shadow of the Bull)
I’ve been doing research. The first book is Arcadian Days, a retelling of several of the Greek myths.
I’ve read in the Edith Hamilton collection of myths – in eighth grade. The retelling by Spurling lays out those myths he chooses in a much clearer way. My goodness, the Greeks were a bloodthirsty lot. I don’t know how they slept at night. The story of Medea is the stuff of nightmares.
Jason, of Jason and the Argonauts, meets Medea when he goes for the Golden Fleece. She agrees to help him if he will marry her and he agrees. Big mistake! As they are fleeing with the fleece, she arrives on board with a bundle, which turns out to be her step-brother. As her father pursues them, she slits the toddler’s throat and dismembers him, throwing limbs in the water so her father will stop and pick them up.
It doesn’t get any more cheerful from here. Medea, it is apparent, is a psychopath.
Other myths are no so violent but all of the families, no matter how favored by the Gods they seem, have terrible lives.Greek Myths
The Bronze Age Crete civilization worshipped snakes.
Snakes are pictured on seals and in frescoes, and statuary of either priestess or goddesses, twine snakes around their waists and hold them aloft in what is theorized are religious ceremonies. (There were no venomous snakes in Crete.)
In my book, In the Shadow of the Bull, I suggest that one of the headdresses worn by a Priestess might have contained live snakes, thereby providing the germ to the Medusa myth. The reverence for these serpents is also interesting considering the Judeo-Christian version of the Snake in the Garden of Eden and humanity’s fall. But I digress.
Marija Gimbutas in The Living Goddesses discusses the frequency of snake goddesses in various cultures: the Baltic, for example and the Celtic, as a symbol of rebirth and/or fertility. Gimbutas writes that the Minoan divine snake symbolizes regeneration. (The shedding of the snakeskin).
In any event, the figurines certainly lend credence to the importance of snakes in the early Bronze Age rituals.
The date for the release of In the Shadow of the Bull is now July 4 for the UK. No word on the release date in the US yet.
In an attempt to reveal what we know of this ancient culture, I thought I would begin with the bull. Bulls were sacred. I’ve read varying explanations. Is it because the Bull represented the male principle, even in a society with a Supreme Goddess? Is it because of the connection with Poseidon. also a God in this culture. (I have mentioned previously how much the Classical Greeks borrowed from the Minoans).
Whatever the reason, the mosaics, the statuary, the rites practiced were all centered around the Bull.
One of the practices was bull dancing or bull leaping. This is a feature of the Theseus myth. Since it was written by the occupying Greeks, it has a negative spin. In the myth, Minos, the ruler of Knossos, requires tribute from the mainland: 7 young women and 7 young men, to face the fearsome Minotaur in the labyrinth. (The creation of the Minotaur is another myth, a rather creepy one.) Theseus volunteers to be one of the tributes. Minos’ daughter Ariadne gives Theseus a ball of string and he is able to kill the Minotaur and lead the other tributes to safety.
Frescoes from Knossos show young men and women (probably teenagers) leaping over a charging bull. The bull dancer grasped the horns and flipped over the bull’s back. Another member of the team caught and steadied him as he landed. There seems to be no doubt that these performances occurred.
Remnants of mazes pictured in mosaics have also been found. But labyrinth, a synonym for a maze, is actually from the word labyrs, a sacred two headed axe used in religious rituals.
A stylized version of the bull’s horns, called the Horns of Consecration, were used everywhere. Examples have survived in Knossos.
