Tag Archives: Bronze Age Crete

Ancient Religious Mysteries

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In A Murder of Furies, Martis undergoes an initiation in order to embark upon several quests.

Although I imagined most of what Martis endures, I read widely about the ancient mysteries, particularly about Dionysus and Artemis. Both are very old Gods and it is believed both were present in the pantheon of Bronze Age Crete. Because these were mysteries, known only to the initiated, not much was known about either.

However, we can make some educated guesses.

Since Dionysus was the God of wine, ecstasy, and music, it is thought his rites involved all three. (Both wine and hallucinogenics, as well as sex , dancing and singing.) The following is a quote from The Bacchae by Euripides.

“Following the torches as they dipped and swayed in the darkness, they climbed mountain paths with head thrown back and eyes glazed, dancing to the beat of the drum which stirred their blood’ ‘In this state of ekstasis or enthusiasmos, they abandoned themselves, dancing wildly and shouting ‘Euoi!’ [the god’s name] and at that moment of intense rapture became identified with the god himself. They became filled with his spirit and acquired divine powers.

Dionysus predates the Olympian pantheon so this wild release is wholly different from the cool logic of an Athena or measured behavior of Apollo.

The other God, or Goddess in this case, that I researched was Artemis. Her great temple at Ephesus was one of the Seven Wonders of the Ancient World. Like Dionysus, she is thought to be of pre-Greek origin, a goddess in her own right, before the Classical Greeks tied her to Zeus and put her in with their Olympic Gods. In Minoan Crete, there was a link between a goddess Britomartis and Artemis. Both were hunters, nurturers of the young, and virgins. In both cases, the bear was sacred to them. (In Murder of Furies, I begin with a ceremony in which little girls dress as bears, a ceremony also described as occurring in Classical Athens.

In both cases, we know very little of the mysteries involving their rites. (No one talked, apparently.) My takeaway, though, was that the initiations involved a transformation into someone different and that is what I tried to convey with Martis (whose name I adapted from Britomartis. I will add that the initiation was as difficult as the final quest itself.

Zeus and Dionysus in Crete

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The Cretan Zeus is not quite the same as the Classical Greek version of the God. For one thing, the Cretan Zeus is more of a harvest God who is born again each spring and dies in the Fall. Since Classical Greeks thought all Gods and Goddesses should be immortal, they changed the attribute of the God whose name they’d taken and declared all Cretans are liars. They kept, however, the story of his upbringing in a cave after his father, Cronus in Classical Greek mythology, swallowed all his children.  A prophesy declared one would be his killer. To prevent that, Cronus swallowed them. But Rhea, to protect her remaining child, dressed a stone in swaddling clothes so Cronus swallowed the rock instead.

In both versions, Zeus was nursed by a nanny goat – or one of several other animals such as a pig. Take your pick. I’ve now read several variations. Zeus’s crying was masked by the Kouretes, a group of armed men who clashed their weapons together to hide the cries.

So what does this have to do with Dionysus? Well, the Cretan Zeus is more like Dionysus. A mortal harvest God followed by ecstatic worshippers.

When I was in Greece at Delphi I asked our tour guide why Dionysus was so different from the Classical Greek Gods. They do not embody the Dionysian wildness and several represent rationality. She didn’t know but I have the answer now. Dionysus is a very old God. He is named in the linear B tablets. And in many, if not most, of the other Middle Eastern Bronze Age religions there are other Gods like him.

These early beliefs were concentrated on fertility – not just human fertility although in Bronze Age Crete the High Priestess, as an earthly representation of the Goddess, represented that fertility. Ritual intercourse was practiced not only in the Mediterranean but as far away as Norway. For these early farmers, fertility among the livestock and of course a good harvest meant the difference between life and death. According to Joseph Campbell, in very early times the king of the land, (or the consort to the Priestess) was sacrificed so that his blood would nourish the land and promote that fertility. This practice evolved to a ritual sacrifice, using animals or other rites that stood in for the death of the king.

That is why the High Priestess had such power. Although we are not entirely sure how much, I imagined her as THE power, with her consort controlling the administration of the state. Bulls and other animals were sacrificed, but other rituals were also employed. I suggest that the consort is required to reestablish his strength by facing a bull in the ring.

Of course, as the Priestess comes to the end of her fertile years, she would be replaced with a younger woman.

The Bull in Ancient Crete

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Bulls in Ancient Crete were sacred. We know that from the murals and the statuary that show how valuable the bull was. Rhytons, drinking cups, were even made in the shape of a horned bulls head. I’ve certainly discussed at length the ritual of bull leaping. Teenagers, little more than kids actually, ran at a charging bull, grabbing the horns, and flipping over the beast.

These are not out modern bulls either. These were bulls that were especially fast. They are not extinct, a poacher killed the last one that was housed in a Polish zoo.

How do we know about this ritual? Well, anyone who knows the Theseus myth is familiar with the minotaur. Athens had to send 14 tributes to Knossos; 7 boys and 7 girls. In the myth, they face the minotaur in the labyrinth. Theseus, with the aid of a ball of string and a sword given him by the king’s daughter Ariadne, defeats the minotaur.Frescoes from Knossos show they teenagers leaping over a charging bull. Another member of the team caught the jumper. There seems to be no doubt this ritual occurred.

What is behind the veneration of the bull? I’ve read varying explanations. Is it because the Bull represented the male principle, even in a society with a Supreme Goddess? Is it because of the connection with Poseidon. also a God in this culture. (I have mentioned previously how much the Classical Greeks borrowed from the Minoans).

A stylized version of the bull’s horns, called the Horns of Consecration, were used everywhere. Examples have survived in Knossos.

Hatshepsut

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A Murder of Furies, the third in the Bronze Age Crete series, will be released January 31.

In this outing, Ancient Egypt plays a large role.

A minor prince seeks the hand of Hele, the High Priestess’s daughter. She has turned him down multiple times but he won’t take no for an answer. He arrives in Knossos to press his suit in person. While he is there, Martis discovers that the prince is allying himself with Khoranos, the High Priestess’s son, who is planning to take the throne.

And then the High Priestess is murdered! Martis suspects the Egyptians.

I don’t know if this could have happened but I thought it might be possible. Crete and Egypt were trading partners and some time after the time frame in which this story takes place, Ramses appealed to Crete for help in stopping the Sea Peoples, the pirates who attacked Egypt regularly. We know, therefore, that there was regular contact between the two.

When this mystery takes place, Hatshepsut, a woman, was the pharaoh of Egypt. Although women enjoyed a comparatively high status, there are very few women pharaohs. Hatshepsut was the daughter, the sister, and the wife of a king so her bloodline was impeccable.

The daughter of Thutmose I, she ruled jointly with her brother/husband, Thutmose III. She reigned for over 20 years and is generally regarded as a successful pharaoh.She reestablished trade networks that had been disrupted during a previous war and although was engaged in warfare in the early part of her reign, oversaw a long and prosperous era. She also embarked on many building projects.

She was almost lost to history since her cartouche was removed from her monuments. Her brother, Thutmose III, did not remove her cartouche until the end of his reign. Since by the little we know, the relationship between Thutmose and Hatshepsut was a good one, it is suggested that his son, Amenhotep II was the defacer.

Not much is known about her. She had one daughter and seems to have been a good ruler. A mummy believed to be hers has been discovered. An examination shows she had diabetes, cancer and bad teeth.

As even many layman know, the Egyptians married siblings, nieces, and daughters. The accepted explanation is that only another royal had the proper bloodline. Another theory is that this was an effort to keep the power concentrated in one family’s hands.. One suggestion I find particularly interesting is that, because of a woman’s connection to a Supreme Goddess, a holdover from the Goddess worship of earlier times, only a female member of the royal family could give legitimacy to the throne and to her relative’s rule.

Weavers and weaving

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In prehistoric sites, remnants of string skirts have been found. Plant fibers, twisted into cords, and knotted together. Think macrame. From this simple beginning arose weaving. Every culture has some form of weaving from the simplest form of loom to the more complicated ones used by hand weavers today.

The Egyptians used a ground loom that, to my modern body, looks uncomfortable to use.

How do we know the Egyptians were weaving so long ago? Well, there are pictures inscribed next to the hieroglyphics.. And also, remnants of clothing has been found in excavations. In 1913, Sir Flinders Petrie found a pile of linen cloth about thirty miles outside of Cairo. Years later, researchers from the Victoria and Albert Museum were sorting though the pile when they came upon a remarkably well preserved dress. It was nicknamed the Tarkhan dress and the age was estimated at 5000 years. Almost fifty years later, the dress was carbon dated and discovered to be from about 3000 B.C.E. Easily from Egypt’s first dynasty, maybe even before.

In Peru, the women employed a back strap loom.

The early Scandanavians used a loom with weights tied to the bottom threads.

The Navaho, who still weave blankets and so for sale, use a simple four piece frame.

In every culture, weavers enjoyed fairly high status. Although not aristocrats, they were among the skilled craftsmen – what passed for the middle class of that time. Without weavers, there would have been no cloth.

Textiles were time-consuming to make, and thus expensive, and learning to weave takes time. In the Middle Ages, an apprenticeship took between seven to nine years. Weave

I wanted to pay homage to this valuable craft. In my Bronze Age Crete mysteries, Martis comes from a family of weavers. (Yes, even in Bronze Age Crete, the women were weavers. Loom weights were found in Akrotiri. And the Minoans, who were the sailors of this age, traded the textiles all over the Aegean.) She does not want to be a weaver, hoping for something more exciting and adventurous – like jumping over a charging bull.

In the Will Rees mysteries, he is a weaver, a traveling weaver. Since women were not supposed to work or leave home, men like Will Rees traversed the early USA with a loom in their wagon bed, weaving for the farmwives.

What saw the end of several millennia of weaving as a profession?

Well, Rees is already seeing the end of his career with the importing of calicoes and other fabrics from India. But the real end to this profession came with the Industrial Revolution and the mechanization of weaving.

Was Minoan Crete an Empire?

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One of the problems with understanding the culture in Ancient Crete is that we are limited to archaeological discoveries. We have not deciphered Linear A and so the writings, that might explain unknowns about this civilization cannot be read. That means that many facts, about their diet for example – did they have cheese? -, about their political structure – was there a King or was it a theocracy-, or about whether this society was an empire or a loose confederation of city states, are unknown.

We know there were colonies spread out over the Aegean. Akrotiri, buried in ash and currently being excavated, is one. But were they just colonies or independent city states?

On Crete, other cities besides Knossos, arguably the largest and best known, were wealthy and powerful. Gortyna was one and it is thought there was conflict between the two cities. That seems to imply equally powerful city states – but we don’t know.

I’ve read arguments on both sides of the debate and both seem equally plausible to me.

Age and Athletes.

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The Olympics are associated with Classical Greece, where these games officially began.

But there were contests of athletic skill before that. And women participated. At least we know they did in Sparta. (Some of the writings by men in other areas were shocked by the freedom of Sparta’s women.)

Since the murals and frescoes in Knossos seem to display both male and female athletes, I chose to believe the young women in Minoan Crete also engaged in races and other games of skill.

And with the Summer Olympics are going on now, I’ve reflected on the athletes who are competing.

I’ve gotten more than a few questions on the youth of my protagonist. (Martis is 16.) Here’s my question: do you think a forty-year old has the stamina, the speed, and the fearlessness to run at a charging bull?

Even in the 2024 Olympics, the athletes tend to be young. One of the skateboarders is 11. Another competitor is 12. There are quite a few teenagers competing. DHINIDHI DESINGHU, a swimmer from India, is 14 years old.

Hezly Rivera. American gymnast, is 16. After Kamila Valieva, a Russian figure skater, won at fifteen (and then lost the gold because of a doping scandal) the age for competing in figure skating has been raised to 17.

The ‘old’ athletes in their late twenties are referred to as though they have one foot in the grave and the other on a roller skate. Simone Biles, arguably the best modern female gymnast, is the oldest competitor at 27 since the 1950’s. She’s referred to as a ‘veteran’ and ‘experienced.’So, a 16 year-old athlete is not an outlier at all, even now.

Minoan Tea

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One of the reviewers for On the Horns of Death commented on the fact Martis and her mother, as well as other women in the mystery, drink tea. She questioned whether this might be an anachronism.

In fact, I was not thinking of the teas we get from India and China but instead of an herbal tea made from herbs well known in Crete.

Both sage and dittany were known then. Dittany is an herb that has been used for centuries, right down to early America, as a medicinal plant. A potent and fragrant herb related to oregano, the name comes from Mount Dikte in Crete. And, of course, one of the names for Britomartis, the maiden in the Cretan pantheon, is Diktynna. It is marketed now as a tea called Dictamnus.

Sage is another herb we believe was known and used in ancient times. We use it primarily as a culinary herb but, like oregano today, it also was used as ritually and as a medicine.

Finally, an herb that is marketed as an herbal tea today is malotira. This herb grows at high altitudes on Crete and is valued for its medicinal properties. It is commonly used to treat respiratory illness and digestive problems as well as skin irritation. It has anti-inflammation, anti-fungal and anti-microbial properties.

When I described Martis and company drinking tea, I was visualizing an herbal concoction. Maybe one of the herbs alone, maybe a combination

More about Artemis

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Further proof that Artemis is linked with the Minoan Cretan hunting Goddess Britomartis (or Diktynna which means of the nets.) By the 5th century B.C, this goddess had been completely assimilated into Artemis.

Britomartis, whose name means sweet maiden, was said to have invented hunting nets. This is thought to be one reason she was also called Diktynna. And yes, I took Martis from her name as the name of my main character in the Bronze Age Crete series.

In one of the myths, Britomartis jumps into the sea to escape King Minos and his lust. Fishermen hid her in their nets (an alternate reason for the name Diktynna.)

Am I the only one appalled by the constant stories of rape of all the women in the myths? It does make Artemis’s reaction to the men who watched her or pursued her – frequently death – a little more understandable.

Who is the Minoan Lady of the Beasts?

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Artemis is described in the Iliad as Potnia Theron or the Lady of the Beasts. (Potnia is a term of respect, meaning Lady or Mistress.) It is also a title formerly used by a Minoan Goddess – the Lady of the Beasts.

A similar goddess was worshipped throughout the Aegean. In fact, the Mistress of the Beasts – or something similar – was worshipped as far back as the Neolithic, including Crete. I don’t think it is a big stretch of the imagination to believe that Artemis either took over the role of her precursor or was the Lady of the Beasts under a different name.

What do we know about Artemis? She was a beautiful winged Goddess, usually associated with the Moon. (Although, since her twin brother was Apollo, the sun, there are solar elements as well. Both were children of Leto and Zeus.) She was passionate about her virginity and could be quite cruel to her nymphs when they lost their theirs, even if usually by rape. Young girls were frequently dedicated to her at the age of somewhere between 9 and fifteen. (Scholars disagree about the age.) Suidas and Arktos e Brauroniols wrote that the Athenians decreed that no virgin could be married unless they played the bear for the Goddess. (Interesting and odd to me in light of the beliefs about young girls who die before marriage and children – who become spirits, or willies.) Martis would have been dedicated as well but, unlike most of her peers, she plans to remain a virgin and dedicated to the Virgin Goddess.

Artemis is also a patron of childbirth, again an interesting juxtaposition with a virgin goddess. Women prayed to her for an easy and safe childbirth and shrines to her were present well into Roman times.

She was also a huntress and is frequently pictured with her golden bow and arrows and a pack of hunting dogs. This is the piece that fits in with the Lady of the Beasts. As a beautiful but unattainable woman, she was frequently the object of men’s attentions. With the Greek predilection for violent drama, her reaction toward them tended to be fatal. In one myth, a mortal saw her bathing naked. Artemis turned him into a stag and his own hunting dogs tore him apart.

Although Artemis is a hunter and a protector of women in childbirth, the apparent disconnect does make sense. Fertility of both women and animals, domestic and wild, was necessary for prosperity.

In Classical Greece, Artemis is a daughter of Zeus. But her history is far older than that.